Stormzy Addresses Beef w/ Wiley, Ex-GF Cheating Rumors, Megan Markle & Grime Music

From New York and

on the new Hot 97 app, Ebro in the Morning.

On Hot 97.

Ebro in the Morning, Laura Styles, Rosenberg, Stormzy.

In the building.

London.

Uh, we got a lot to cover.

Uh, congrats on the new album, which sounds amazing.

Thank you very much.

You know what I'm saying? Um, also congrats on the most recent beef with you and the and the crazy guy Wiley, who loves to start shit with everybody.

Yeah.

Um, so you and him have a history, obviously you came up, he's an OG in grime, you came up.

Um.

What's the issue right now?

How did this start?

He just set it on you, he set, as you guys say, he set for you.

Yeah, yeah, yeah.

He set for you.

Yeah, yeah, yeah, basically, he's he's he's like that's.

That's what he does.

That's what he he's been doing that for a very long time, isn't it?

So he he started the whole genre, he's like the literal figurehead pioneer like sound creator.

And that's what he does and I'm like the new kid, I'm like the I'm like the torch bearer right now, isn't it?

Well, that's where the controversy is at.

Because you got an album called.

Heavy is the head.

Yeah, exactly, exactly.

Talking and you got a song in there called Crown.

Yeah, yeah, yeah.

You're proclaiming the crown for.

Yeah, yeah.

So to be fair, the Wiley thing was more just the Wiley thing was just.

He he's just he's a bit of a troll, isn't it?

Like a bit of a.

Yeah, no, yeah.

Like by nature, like by not even that's not even a disrespect.

But by nature, he's a bit of a troll.

So he's been trolling me for a bit.

And we had a little Twitter exchange.

And then he done.

He done the grime thing, which is to go on record and send.

And die.

Yeah, yeah, yeah.

Did you guys ever have any kind of relationship?

Yeah, he was always, I've always held him in the highest regard.

Like he was always like, I've literally respect, homage, love.

And do you still?

Um, as a.

As um, as an MC and as who and as a musician and as.

The person who started the genre and allowed me to have a career, 100%.

As as a man who like, do you know what I mean?

And your morals and in terms of like.

I'm a young, I'm 26 years old, you're 40 plus and I'm, do you know what I mean?

I'm just a kid who's kind of holding you in high regard and you've decided.

So as a man, maybe not.

So I'm watching him in your comments laugh.

And enjoy the whole shit.

Yeah, yeah, yeah.

So part of me thinks because I've seen him set it on so many people.

That he's only doing it because you're at this level.

Yeah, probably as well.

And to kind of be some like purest grime.

Like let me set it on this dude.

Yeah, yeah, yeah.

Just for the promo of grime.

Yeah, I mean.

Like as an outsider, because I don't know.

Not there for you.

Do you know, do you know, to be fair, you're probably right.

And there was probably like some good nature in in his intention.

However.

For man, I'm like.

Not even in an arrogant way, but.

I'm thinking I'm busy, like.

Do you know what I mean?

I don't I don't want like.

I'm I'm kind of tunnel vision like ahead and then boom.

You get a bazooka and it's like, yo.

But maybe that's why he did it.

But to be fair, it's a it's a big conversation.

Because grime.

Like that's where it is.

It's like.

It's sending, no, no, no, but.

Coming from where man come from and how I've grown up, like it's it's it's a weird thing to like.

Like see you, Ebro, yeah, Ebro, my guy, no, no, no, then I go home and I say, yo, Ebro, blood, your mom, no, no, no, it's like, what?

Like.

So who talked about whose mom first?

He he didn't on Twitter, he said he said, so where where man's from?

You know the term suck your mom, like.

It's like a.

It's a Jamaican.

Yeah, it's a Jamaican.

It's a very, yeah, it's a disrespectful thing to say.

It's not a, it's not a loving term.

It's not a loving term, isn't it?

So like.

That's where, yeah, that it started on Twitter.

He said suck your mom.

And then.

He went on record and then said.

Uh, something rip your mom's hair off and.

And then you disrespected his whole mom and the fact that he had to send his mom away and.

Yeah.

Yeah.

How much of what you say is truth in his most.

Literally.

Yeah.

So he couldn't protect his family.

Because of some street shit and everything that you said.

Yeah.

All on record to be fair.

That's what I always think that even even down to he's quite he's quite um.

Like Twitter and and I I always think.

I don't I don't ever I don't ever want to be like that.

You see that in terms of like.

Even what I've said, like that's it's all on the tune.

It's all on the tune.

I don't even I don't want to be here like, yeah, like it's my.

And you did a, and a few of them.

And I I just want to say.

I think it's cool that in the spot that you're in.

That you did respond.

Yeah, yeah, definitely.

Because there is a situation.

In which you would have ignored it because you're so hot.

And so commercial right now.

Yeah, yeah, yeah.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um.

Because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?

Apart from apart from like cultural purposes or like.

Musical.

Do you know what I mean?

Like I feel like.

I always say like even I always feel like the whole British British MC's break in America.

I think it's a big deep thing in terms of even down to like.

I always say even like as Americans need to even understand that we got we got G's in in um in the UK.

Like there's.

Like we got gangsters.

Yeah, we got street.

Yeah, we got street, you got gangsters, you got murder.

So even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like.

Do you know what I mean?

To Americans, it's a bit funny.

Oh, he's a British rapper.

Oh, like.

What what do you do, like?

It's a bit intriguing and then so even just there, like.

Even in terms of how how I talk, like there was times, I always say me and my manager will get into a car.

And I would say, yo, what's going on?

What what's happening?

And then and then he says, oh.

The cab driver says, oh, what language is that?

I say, what?

This is the Queen's English, like.

Do you get what I mean?

This is the man speaking the Queen's English.

You don't speak American, do you know what I mean?

But man speaking the Queen's.

So I think there's there's so many things like just even culturally that need to like.

Kind of, I don't know, be figured out before.

Are you are you I've I've heard, are you not doing taking any features anymore?

I heard you're not doing features right now.

Oh, no, I don't do features.

You're still open to being on people's records?

Yeah, yeah, yeah.

Because I think this is like so basic.

And like.

I've just been I've always thought that if someone like you were on a hook of a massive American artist record.

It would do so much.

And I know people don't.

You obviously don't need us anymore.

I mean, you headlined Glastonbury, bro.

Like you you got this.

Yeah, yeah, yeah.

But I also because you're so dope lyrically.

Want you to be here.

It just seems like.

Has that offer come in from a big commercial American artist to say do a hook for me?

Um, no.

No, I don't think it has.

I don't think it has.

I understand why I wouldn't though.

Because it's like.

Why not?

Why do you think?

Um, because I guess like if you're a big, if you're a big American artist.

What's the kind of currency in having like a like a big British rapper who no one knows over here on a hook? Apart from apart from like cultural purposes or like musical, do you know what I mean? Like I feel like I always say like even I always feel like the whole British British MC's break in America, I think it's a big deep thing in terms of even down to like I always say even like as Americans need to even understand that we got we got G's in in um in the UK, like there's like we got gangsters, yeah, we got street, yeah, we got street, you got gangsters, you got murder, so even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like, do you know what I mean? To Americans, it's a bit funny, oh, he's a British rapper, oh, like, what what do you do, like? It's a bit intriguing and then so even just there, like, even in terms of how how I talk, like there was times, I always say me and my manager will get into a car and I would say, yo, what's going on? What what's happening? And then and then he says, oh, the cab driver says, oh, what language is that? I say, what? This is the Queen's English, like, do you get what I mean? This is the man speaking the Queen's English, you don't speak American, do you know what I mean? But man speaking the Queen's, so I think there's there's so many things like just even culturally that need to like, kind of, I don't know, be figured out before, are you are you I've I've heard, are you not doing taking any features anymore? I heard you're not doing features right now, oh, no, I don't do features, you're still open to being on people's records? Yeah, yeah, yeah, because I think this is like so basic and like I've just been I've always thought that if someone like you were on a hook of a massive American artist record, it would do so much, and I know people don't, you obviously don't need us anymore, I mean, you headlined Glastonbury, bro, like you you got this, yeah, yeah, yeah, but I also because you're so dope lyrically, want you to be here, it just seems like, has that offer come in from a big commercial American artist to say do a hook for me? Um, no, no, I don't think it has, I don't think it has, I understand why I wouldn't though, because it's like, why not? Why do you think? Um, because I guess like if you're a big, if you're a big American artist, what's the kind of currency in having like a like a big British rapper who no one knows over here on a hook? Apart from apart from like cultural purposes or like musical, do you know what I mean? Like I feel like I always say like even I always feel like the whole British British MC's break in America, I think it's a big deep thing in terms of even down to like I always say even like as Americans need to even understand that we got we got G's in in um in the UK, like there's like we got gangsters, yeah, we got street, yeah, we got street, you got gangsters, you got murder, so even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like, do you know what I mean? To Americans, it's a bit funny, oh, he's a British rapper, oh, like, what what do you do, like? It's a bit intriguing and then so even just there, like, even in terms of how how I talk, like there was times, I always say me and my manager will get into a car and I would say, yo, what's going on? What what's happening? And then and then he says, oh, the cab driver says, oh, what language is that? I say, what? This is the Queen's English, like, do you get what I mean? This is the man speaking the Queen's English, you don't speak American, do you know what I mean? But man speaking the Queen's, so I think there's there's so many things like just even culturally that need to like, kind of, I don't know, be figured out before, are you are you I've I've heard, are you not doing taking any features anymore? I heard you're not doing features right now, oh, no, I don't do features, you're still open to being on people's records? Yeah, yeah, yeah, because I think this is like so basic and like I've just been I've always thought that if someone like you were on a hook of a massive American artist record, it would do so much, and I know people don't, you obviously don't need us anymore, I mean, you headlined Glastonbury, bro, like you you got this, yeah, yeah, yeah, but I also because you're so dope lyrically, want you to be here, it just seems like, has that offer come in from a big commercial American artist to say do a hook for me? Um, no, no, I don't think it has, I don't think it has, I understand why I wouldn't though, because it's like, why not? Why do you think? Um, because I guess like if you're a big, if you're a big American artist, what's the kind of currency in having like a like a big British rapper who no one knows over here on a hook? Apart from apart from like cultural purposes or like musical, do you know what I mean? Like I feel like I always say like even I always feel like the whole British British MC's break in America, I think it's a big deep thing in terms of even down to like I always say even like as Americans need to even understand that we got we got G's in in um in the UK, like there's like we got gangsters, yeah, we got street, yeah, we got street, you got gangsters, you got murder, so even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like, do you know what I mean? To Americans, it's a bit funny, oh, he's a British rapper, oh, like, what what do you do, like? It's a bit intriguing and then so even just there, like, even in terms of how how I talk, like there was times, I always say me and my manager will get into a car and I would say, yo, what's going on? What what's happening? And then and then he says, oh, the cab driver says, oh, what language is that? I say, what? This is the Queen's English, like, do you get what I mean? This is the man speaking the Queen's English, you don't speak American, do you know what I mean? But man speaking the Queen's, so I think there's there's so many things like just even culturally that need to like, kind of, I don't know, be figured out before, are you are you I've I've heard, are you not doing taking any features anymore? I heard you're not doing features right now, oh, no, I don't do features, you're still open to being on people's records? Yeah, yeah, yeah, because I think this is like so basic and like I've just been I've always thought that if someone like you were on a hook of a massive American artist record, it would do so much, and I know people don't, you obviously don't need us anymore, I mean, you headlined Glastonbury, bro, like you you got this, yeah, yeah, yeah, but I also because you're so dope lyrically, want you to be here, it just seems like, has that offer come in from a big commercial American artist to say do a hook for me? Um, no, no, I don't think it has, I don't think it has, I understand why I wouldn't though, because it's like, why not? Why do you think? Um, because I guess like if you're a big, if you're a big American artist, what's the kind of currency in having like a like a big British rapper who no one knows over here on a hook? Apart from apart from like cultural purposes or like musical, do you know what I mean? Like I feel like I always say like even I always feel like the whole British British MC's break in America, I think it's a big deep thing in terms of even down to like I always say even like as Americans need to even understand that we got we got G's in in um in the UK, like there's like we got gangsters, yeah, we got street, yeah, we got street, you got gangsters, you got murder, so even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like, do you know what I mean? To Americans, it's a bit funny, oh, he's a British rapper, oh, like, what what do you do, like? It's a bit intriguing and then so even just there, like, even in terms of how how I talk, like there was times, I always say me and my manager will get into a car and I would say, yo, what's going on? What what's happening? And then and then he says, oh, the cab driver says, oh, what language is that? I say, what? This is the Queen's English, like, do you get what I mean? This is the man speaking the Queen's English, you don't speak American, do you know what I mean? But man speaking the Queen's, so I think there's there's so many things like just even culturally that need to like, kind of, I don't know, be figured out before, are you are you I've I've heard, are you not doing taking any features anymore? I heard you're not doing features right now, oh, no, I don't do features, you're still open to being on people's records? Yeah, yeah, yeah, because I think this is like so basic and like I've just been I've always thought that if someone like you were on a hook of a massive American artist record, it would do so much, and I know people don't, you obviously don't need us anymore, I mean, you headlined Glastonbury, bro, like you you got this, yeah, yeah, yeah, but I also because you're so dope lyrically, want you to be here, it just seems like, has that offer come in from a big commercial American artist to say do a hook for me? Um, no, no, I don't think it has, I don't think it has, I understand why I wouldn't though, because it's like, why not? Why do you think? Um, because I guess like if you're a big, if you're a big American artist, what's the kind of currency in having like a like a big British rapper who no one knows over here on a hook? Apart from apart from like cultural purposes or like musical, do you know what I mean? Like I feel like I always say like even I always feel like the whole British British MC's break in America, I think it's a big deep thing in terms of even down to like I always say even like as Americans need to even understand that we got we got G's in in um in the UK, like there's like we got gangsters, yeah, we got street, yeah, we got street, you got gangsters, you got murder, so even even just that cultural kind of like, oh, he's British, oh, that's kind of funny, like, do you know what I mean? To Americans, it's a bit funny, oh, he's a British rapper, oh, like, what what do you do, like? It's a bit intriguing and then so even just there, like, even in terms of how how I talk, like there was times, I always say me and my manager will get into a car and I would say, yo, what's going on? What what's happening? And then and then he says, oh, the cab driver says, oh, what language is that? I say, what? This is the Queen's English, like, do you get what I mean? This is the man speaking the Queen's English, you don't speak American, do you know what I mean? But man speaking the Queen's, so I think there's there's so many things like just even culturally that need to like, kind of, I don't know, be figured out before, are you are you I've I've heard, are you not doing taking any features anymore? I heard you're not doing features right now, oh, no, I don't do features, you're still open to being on people's records? Yeah, yeah, yeah, because I think this is like so basic and like I've just been I've always thought that if someone like you were on a hook of a massive American artist record, it would do so much, and I know people don't, you obviously don't need us anymore, I mean, you headlined Glastonbury, bro, like you you got this, yeah, yeah, yeah, but I also because you're so dope lyrically, want you to be here, it just seems like, has that offer come in from a big commercial American artist to say do a hook for me? Um, no, no, I don't think it has, I don't think it has, I understand why I wouldn't though, because it's like, why not? Why do you think? Um, because I guess like if you're a big, if you're a big American artist, what's the kind of currency in having like a like a big British rapper who no one knows over here on a hook?