**Cómo desbloquear tu creatividad con una técnica de 5 000 años de antigüedad — Transcript & Summary | SozAI** Source: https://sozai.app/transcript/unlock-creativity-5000-year-technique/ Unlock your creativity using a 5,000-year-old technique that reconnects you to your innate creative state and overcomes mental blocks. ## Key Takeaways - Creativity is innate and can be unlocked by reconnecting with your authentic self from childhood. - Mental blocks are often fears and conditioned beliefs, not true lack of creativity. - Conscious intention is necessary to create new realities rather than repeating old patterns. - The Ritual Art method offers a structured way to regain creative freedom. - Understanding and overcoming conditioning is essential to reclaim creativity. ## What the video covers - Creativity blocks often stem from conditioned beliefs and fears rather than actual lack of talent. - True creativity is about returning to the free, unconditioned state experienced as a child. - The video introduces an ancient technique, the Ritual Art method, rooted in shamanic traditions to unlock creativity. - Creativity involves more than imagination; it requires conscious intention to create what you truly want. - The mind resists creativity to preserve identity and survival patterns learned in childhood. - Conditioning from upbringing often suppresses authentic creative expression. - The Ritual Art method helps consciously relearn innate creative behaviors from childhood. - The video encourages viewers to observe their own creative blocks and begin transformation. - The method includes training and certification and is accessible via the creator’s website. - Creativity can be integrated into all life activities by stepping out of programmed patterns. ## Chapters 1. 00:00 Introduction to Creativity Blocks and Ancient Technique 2. 01:42 Misconceptions About Creativity and Childhood Conditioning 3. 03:29 Understanding Creativity: Imagination and Conscious Creation 4. 04:56 The Mind’s Resistance to Creativity and Identity Preservation 5. 05:56 Integrating Creativity into Everyday Life 6. 07:30 The Ritual Art Method: Origins and Application Answers ## Questions about this video What causes creativity blocks according to the video? Creativity blocks are caused by fears and conditioned beliefs from childhood, where people are told they are not creative, leading to subconscious rejection of creativity. What is the Ritual Art method? The Ritual Art method is an ancient technique based on shamanic traditions designed to help individuals consciously reconnect with their innate creativity and overcome mental blocks. How does the mind resist creativity? The mind resists creativity to preserve the identity and survival patterns learned in childhood, preventing entry into a creative state because it perceives it as a threat. ## Full Transcript — Download SRT & Markdown 00:01 Speaker A If you feel, like many people do, that your creativity is blocked, the solution likely isn't in any course where they teach you a new technique, but rather in remembering who you were when you were one year old and what you already knew how to do. But there is a technique that humanity has been using for thousands and thousands of years that unlocks your creativity instantly. 00:13 Speaker A already knew how to do. But there is a technique that humanity has been using for thousands and thousands of years that unlocks your creativity instantly. 00:22 Speaker A And I am going to teach you the complete process so you can start applying it to your life. Mind you, it's not like you just snap your fingers and it happens; you have to understand it, immerse yourself, and transform while doing it. Because the creative state is nothing more than returning to being free before we were educated and conditioned. Stay tuned, because this video is surely one you'll be most interested in. I'll tell you in a second. Subscribe to the channel. See you soon. See you in a bit. 00:32 Speaker A transform while doing it. Because the creative state is nothing more than returning to being free before we were educated and conditioned. Stay tuned, because this video is surely one you'll be most interested in. I'll tell you in a second. Subscribe to the channel. See 00:43 Speaker A Hello, all you radiant beings. I hope and wish that you are shining like these Super Saiyans I'm showing you here, who have their hair standing on end from all the energy they have. Yes, I would like to be like that every morning, and I try to visualize myself like them while I do my maintenance of origin and program my body to convince my cells, my entire body, that I am capable. At least, maybe not shining with my hair on end like them, but capable of overcoming the obstacles life brings me to make me greater and manage to become someone of value. 01:07 Speaker A be like that every morning, and I try to visualize myself like them while I do my maintenance of origin and program my body to convince my cells, my entire body, that I am capable. At least, maybe not shining with my hair on end 01:19 Speaker A After all, we come here for that, right? To transform our lead into gold, to transform the cards we were dealt into the best hands. This is like a game, isn't it? Many people say so. I believe it is a game, in fact. So now you know, you have origin on our website, go to alorigen.com and learn to play. And that is what today's video is about. Learning to play is recovering your creative state. Many people say they are creatively blocked. 01:31 Speaker A dealt into the best hands. This is like a game, isn't it? Many people say so. I believe it is a game, in fact. So now you know, you have origin on our website, go to alorigen.com and learn to play. And that is what today's video 01:42 Speaker A I spent years doing private sessions with people who said they were blocked, and they weren't blocked. They were afraid to be creative again, they were afraid of betraying their mind. Their mind made them believe they were blocked. And they believed creativity had to do, had to do with talent. I don't have a creative talent, I'm not creative. That is not true. When you were a child, someone told you that you weren't creative, that you weren't good at doing anything creative, and you identified as your subconscious associated that everything creative was no longer for you. 01:48 Speaker A I spent years doing private sessions with people who said they were blocked, and they weren't blocked. They were afraid to be creative again, they were afraid of betraying their mind. Their mind made them believe they were blocked. And they believed creativity 02:05 Speaker A For example, this child draws poorly, this child isn't good at dancing, this girl isn't good at inventing things, right? And you believed that nothing related to creativity was for you, so you let it go. There isn't a one-year-old child who isn't creative. It’s simply the way we have of discovering life. We explore it and play while we get to know it through action, too. So it's as simple as going back there. But of course, we have to understand what we did when we were kids, what we did innately. Now we would have to learn it consciously to be able to transform what we do into what we used to do. And yes, there is a method, a method David and I created called the Ritual Art method, but I don't want to tell you that I tricked you at the beginning of the video, because that’s not true. 02:16 Speaker A identified as your subconscious associated that everything creative was no longer for you. For example, this child draws poorly, this child isn't good at dancing, this girl isn't good at inventing things, right? And you believed that nothing related to 02:31 Speaker A This method draws from ancient initiatory traditions, from ancient shamanic traditions, and in fact, all therapies draw from there too, but they have kind of branched off, right? Along the way, they have sort of separated. But the origin of everything had to do with understanding this method I’m going to explain here, because yes, the Ritual Art method is a method you can learn; you get trained, there is even certification, and you can guide others. 02:46 Speaker A simple as going back there. But of course, we have to understand what we did when we were kids, what we did innately. Now we would have to learn it consciously to be able to transform what we do into what we used to do. And 03:03 Speaker A You can find this on our website, vuelveorigen.com, along with Origen, which is the star tool we always use, as I mentioned a moment ago. Okay, but I’m going to tell you the basics so you can start using it in your own way. It won’t be the same, but at least you’ll know what it is, you’ll watch yourself, and you’ll see where you slip up and where you don't. Okay? 03:14 Speaker A This method draws from ancient initiatory traditions, from ancient shamanic traditions, and in fact, all therapies draw from there too, but they have kind of branched off, right? Along the way, they have sort of separated. 03:29 Speaker A So pay attention, because this is a masterclass. Look, notice that there is something fundamental when we are children and we go to the origin, okay, of creativity. People think creativity is about having ideas, but imagining is only one part. I mean, I imagine something I want to create, or I imagine something I would like to have, or I imagine something I would like to experience. Of course, because if I don’t imagine what I want to experience, if I don't know what it is I want to live, how am I going to create it? So, to create something, I first have to know what I want to create, or my unconscious will do it for me. You are creating a reality from the unconscious that you are not conscious of creating. With what? With your actions, with your thoughts, and with your emotions. So if you decide what you want to create, your mind won't create it for you. Your mind is programmed and tries to create what you have always created. It tries to replicate what it learned in childhood, it tries to protect the program you received in your childhood. In other words, if your identity is that of a sick person, then sick we must be. If your identity is that of a complainer, then a complainer we must be. Your identity is "everything always goes wrong for me." Well, that is what we have to do. I mean, it is looking to preserve your identity, which is your survival. It believes you survive because of that. Therefore, it will not let you enter a creative state because that is what put you in danger. I mean, when mom and dad raise you, when your environment raises you, they are telling you that you are not right, that you are not okay, that you must be a certain way. Therefore, you identify that who I am is not right, so I will let it go and do what I am told. And then you become conditioned. I know it's normal for that to happen, I know parents have no choice but to raise us, I know they are also programmed, but I am not talking about guilt, I am talking about what happened, okay? And then you abandon your authenticity to be what they ask of you, and that is where you detach from your creativity. 03:38 Speaker A . You can find this on our website, vuelveorigen.com, along with Origen, which is the star tool we always use, as I mentioned a moment ago. Okay, but I’m going to tell you the basics so you can start using it in your own way. 03:52 Speaker A Some of us still carry it because we were told we draw well, we were told we dance well, we sing well or something, and you say, "Well, they accept this up to this point, and up to this point you play along." But it doesn't occur to you that you can apply this to your whole life. Do you think that is only for a little while or for a specific occasion, which it can also be? No, no. 03:59 Speaker A So pay attention, because this is a masterclass. Look, notice that there is something fundamental when we are children and we go to the origin, okay, of creativity. People think creativity is about having ideas, but imagining is only one part. I mean, I imagine 04:16 Speaker A A creative state is that you can be on a park bench, in a coffee shop, in a, in a, I don't know, be a CEO of a company, be a person at a supermarket, be someone at home acting as a mom, or taking care of their dogs, their cats, or a man going to the gym; it's the same. Everything in your life can be tinged with creativity. What is creativity? The ability to step out of your programming to be free again for a second. Even if you step out for a moment and go back in, there's no problem. Because then, when I have to be a certain way and they compress me, but I can keep opening up, taking a breath, and closing again, I am no longer closed, even if it seems like it, because every time I am closed, I open again. So, what happens? I lock myself in, yet I open up. It's as if I were playing a character, and by locking myself in, I've come to believe I am that character. But if I could open up and say, "Oh no, I'm Víctor. 04:24 Speaker A I want to live, how am I going to create it? So, to create something, I first have to know what I want to create, or my unconscious will do it for me. You are creating a reality from the unconscious that you are not 04:34 Speaker A Oh, I'm playing this one. Oh no, I'm Víctor. Oh, I'm playing this one." There would be a moment where, even if there were a locking in and an opening, it would be an impulse that would ensure I don't forget I am a creative being, that I don't forget I am Víctor, even while playing a character. In other words, we would be saying, "Wow, what a crazy game," because we would remember that we are who we are. No, that memory when we were children wasn't conscious; we didn't have an analytical... 04:45 Speaker A have always created. It tries to replicate what it learned in childhood, it tries to protect the program you received in your childhood. In other words, if your identity is that of a sick person, then sick we must be. If 04:56 Speaker A your identity is that of a complainer, then a complainer we must be. Your identity is "everything always goes wrong for me." Well, that is what we have to do. I mean, it is looking to preserve your identity, which is your 05:05 Speaker A survival. It believes you survive because of that. Therefore, it will not let you enter a creative state because that is what put you in danger. I mean, when mom and dad raise you, when your environment raises you, they are 05:16 Speaker A telling you that you are not right, that you are not okay, that you must be a certain way. Therefore, you identify that who I am is not right, so I will let it go and do what I am told. And 05:25 Speaker A then you become conditioned. I know it's normal for that to happen, I know parents have no choice but to raise us, I know they are also programmed, but I am not talking about guilt, I am talking about what happened, okay? And 05:35 Speaker A then you abandon your authenticity to be what they ask of you, and that is where you detach from your creativity. 05:42 Speaker A Some of us still carry it because we were told we draw well, we were told we dance well, we sing well or something, and you say, "Well, they accept this up to this point, and up to this point you 05:51 Speaker A play along." But it doesn't occur to you that you can apply this to your whole life. Do you think that is only for a little while or for a specific occasion, which it can also be? No, no. 06:02 Speaker A A creative state is that you can be on a park bench, in a coffee shop, in a, in a, I don't know, be a CEO of a company, be a person at a supermarket, be someone at home acting as a mom, or 06:12 Speaker A taking care of their dogs, their cats, or a man going to the gym; it's the same. Everything in your life can be tinged with creativity. What is creativity? The ability to step out of your programming to be free again for a 06:25 Speaker A second. Even if you step out for a moment and go back in, there's no problem. Because then, when I have to be a certain way and they compress me, but I can keep opening up, taking a breath, and closing again, I am no 06:35 Speaker A longer closed, even if it seems like it , because every time I am closed, I open again. So, what happens? I lock myself in, yet I open up. It's as if I were playing a character, and by locking myself in, I've come to believe 06:44 Speaker A I am that character. But if I could open up and say, "Oh no, I'm Víctor. 06:49 Speaker A Oh, I'm playing this one. Oh no, I'm Víctor. Oh, I'm playing this one." There would be a moment where, even if there were a locking in and an opening, it would be an impulse that would ensure I don't forget I am a creative 06:58 Speaker A being, that I don't forget I am Víctor , even while playing a character. In other words, we would be saying, "Wow, what a crazy game," because we would remember that we are who we are. No, that memory when we were children 07:10 Speaker A wasn't conscious; we didn't have an analytical mind, we didn't have emotional management, but it was immersed within us, it possessed us, it moved through us. It's that life force that moves through children, that makes , I don't know, something moves them 07:23 Speaker A that is greater than the programming of what we call the Matrix, of this reality. This is what we must recover. 07:30 Speaker A How I can have a method, which is what the ancients used, to be able to sustain this and to be able to recover this. Because the ancients already discovered that life itself tries to lock you in, not life itself, but the 07:45 Speaker A Matrix, right? It has mechanisms to lock you in, and cultures, for all the good they may have, also have mechanisms to lock you in. In fact, the collective conditions you. You want to be you, whatever that may be, right? 07:58 Speaker A Creative. And the environment itself looks at you poorly if you don't do what is expected. Now we are all dancing and you aren't dancing; this is wrong. In other words, like it or not. 08:05 Speaker A In any environment, you are going to be conditioned and you will start to give up being you to be what others want. 08:10 Speaker A And that is the lock-in. That is where the lock-in begins. Then, creativity starts to break down because your authenticity has to be monitored. Do you understand? So, if I imagine something, I'm not being creative because I'm not creating it, I'm only 08:22 Speaker A imagining it. It is a first step. If I have an idea, I am not being creative; I am simply connecting with information from somewhere, because it's never yours, it's everyone's, it's just flying around, okay? You channel it or 08:33 Speaker A you connect to it or you remember it. When I am creative is when I am doing something with that. It is a state that allows me to play with that. I can play with an idea, with a narrative, with 08:42 Speaker A what I tell myself about the world. Once I have believed it too much, I am grounding it, creating it, and it becomes something dense. The world is like this, and I will see it that way because I believe it to be so. Okay, 08:53 Speaker A perfect. This no longer moves you there . What is the problem? That you can no longer create anything else. Because if I am like this, my world is like this, and life is like this, then nothing else exists. When I am in a creative 09:02 Speaker A state, what do I do? I open up and say, "What if it weren't like that?" And I close. And if you play that it could be another way, then I close. So, although I am grounding density, I am creating 09:10 Speaker A reality, I am modifying that creation constantly because I am improving, I am discovering through experience that things can be different, but if my experience is weaker than my belief, the belief will win. So, what does the creative state want? It wants you to 09:26 Speaker A regain your ability to play with narratives, to play with what you tell yourself, to play with what is held in your mind, to play with what you have already densified because maybe you want to stop densifying it so much and 09:36 Speaker A transform it into something else. If I have discovered that this reality I created is not what I wanted and now that I experience it I realize it, I can transform that to a certain point; you could, but you would have to step 09:46 Speaker A into creative states. So this system was created to help people recover their creativity or to sustain it, to take care of it, so it doesn't break. 09:56 Speaker A That is also why it is useful for unblocking. And all the problems you have in your lives, all problems have to do with a creative block, because if you weren't creatively blocked, you would see that problem as an 10:06 Speaker A opportunity and try to play with it like when you were a child, playing with everything to solve it. Solving a problem isn't about being like this, trying to figure it out; it's about playing with the problem, dissecting it 10:16 Speaker A , turning it around, separating it, putting it together, imagining it's something else. That is creativity and it is fundamental for everything that is coming, because a world is coming where they want to robotize us, and your salvation will always be your 10:28 Speaker A creative state. The moment you delegate that to machines or the system, you are finished. Because that creative state, in fact, is your connection to that infinite consciousness or to that origin, no matter how many names you want to call it. The creative state is 10:41 Speaker A the purest, the most authentic, because it is authenticity, it is not judgment: this is right, this is wrong. We might have to have some judgment, it's normal , we are in this world, yes; but it's about going beyond judgment and going 10:51 Speaker A to the origin where everything is united, because judgment also polarizes , we clash later because of that, right ? It is better, let's say, to discern, to choose, to say, "This is not good for me, but I'm going to try not to 11:02 Speaker A judge it." That is a pure creative state. It's difficult, I know. Method. Let's get to the method, Victor. The method, the ritual art method, the training is called creating differently because it's about creativity, but it is a ritual art method. It is a very 11:15 Speaker A simple method. It's not the ritual art school, it's not the old ritual art training, which is a very broad philosophy, it is a method. We could have called it the RA method or the french fry method, okay? It is a method 11:25 Speaker A . By observing what the ancients did, studying it for many years, practicing it for many years, this method has ended up fitting into four pieces. Four means creation, it symbolizes creation. 11:34 Speaker A There are four things. The first, if you want to enter a creative state, the first thing you have to do is unveil what prevents you from being in a creative state. Unveil what is preventing you from believing that you 11:43 Speaker A are creative because you already are. So, the first thing all cultures did is , what is behind the appearance? If I am feeling that I cannot create something else, that I cannot change my reality, that I cannot change who I am, 11:57 Speaker A what pattern is underneath the appearance of what you think you do? Behind your belief, behind what you do, what pattern is underneath? Because we are in a world of patterns. So, it's about observing what pattern is underneath. If I detect the pattern, I 12:13 Speaker A understand where it is blocking my creativity. At least I have to reveal that pattern. Super important to reveal the hidden. We have tools like intuitive tarot, listening, perception, many forms, right? We have a topic in the training method, right? The 12:30 Speaker A training of the ritual art method. There is an explanation of how to detect patterns that is also very powerful, very resolute, but there are different ways. So, when you unmask what’s behind it, you realize you’re in a loop, you’re in a cycle 12:42 Speaker A , you’re in a programming that prevents you from moving forward because it traps you, traps you, traps you, traps you, traps you. You can’t stop. That’s why you think you’re not creative. But that’s when I see there’s a pattern; I’m no longer 12:55 Speaker A seeing what’s happening, I’m seeing a pattern. My vision has changed, I’m seeing something else now. Once I have the pattern, what do I have to do? Well , explore it to understand where it comes from. I have to see where that 13:08 Speaker A pattern comes from, where that pattern is born, what the origin of that pattern is. When I explore that pattern , what do I do? I go into my unconscious to understand where that pattern is feeding, not just where it 13:19 Speaker A comes from, but what it feeds on, who it serves, what it avoids, what it’s afraid of. Understanding why the pattern persists. That’s why I tell you this is easy to say, but you have to learn it, okay? But that’s it. So, 13:34 Speaker A when I have it clear, I can resignify it, which is the third point. Why do I resignify it? Because now I decide what this is for me. And what am I going to do with this? Because I already caught 13:44 Speaker A it. I saw it and I caught it. When I saw the origin, after detecting it, I can finally grab it. I say, "Okay, this is the origin. This is the root, bam." Now I’m going to resignify it. I’m 13:56 Speaker A going to take it, I’m going to perform alchemy, right? This is very shamanic, and from now on, this is going to be this for me. And then I have to integrate it. Fourth point, which is to bring it into myself, to 14:06 Speaker A transform into someone who has integrated it. Not saying it, not thinking it. Transforming into someone who has integrated it. I’ll give a very, very easy, very simple example. 14:15 Speaker A If I say that I am, for example, always repeating a relationship problem because my partner becomes my mother, for instance, and so I can’t change that because it happens to me with every partner, that’s actually a creative block too, isn’t it? But I 14:28 Speaker A can’t create anything else. It always repeats, they are different girls, but they all end up being my mother. They all act like my mother. Well, that’s hidden. First, what’s behind that pattern? Well, I’ve already seen it. 14:39 Speaker A It happens like my mother, okay? A clue , but now look at what's behind it. Why are you looking for mothers? What are you afraid to face as a man? Etc. I mean, you have to detect what’s behind it, but you already have the 14:50 Speaker A pattern. The pattern is a pattern that was built the same way with your mother , having to do with this and that, I mean, you discover it, right? I’m telling you that we have systems. So, later when you discover it and you 14:59 Speaker A already know what it is, you explore it . The origin means what feeds that pattern, what it protects me from, what it tries to keep me from doing, because then you reframe it once you’ve understood it, you say, "Ah, that's it, 15:12 Speaker A so now, from here on out, this is no longer what it was until now." It is an opportunity to learn that this is what I am repeating and what I don’t want to repeat. This is an opportunity to 15:21 Speaker A untie those knots that will make me find a woman who no longer repeats that kind of pattern with me, because I had transformed myself. So, what is the fourth point? Now I am going to transform. into someone who no longer 15:32 Speaker A repeats that pattern because I no longer look for what I was unconsciously looking for when I was looking for that woman without knowing it. Then a woman appears who acts like a woman, but of course, I have to act 15:40 Speaker A like a man, I can't be a child because then I'll keep bringing in those women. 15:43 Speaker A Therefore, the origin was that I was a child, but I didn't want to admit it. I was an adult dressed as a child looking for moms. So, when you realize everything, it’s brutal because you integrate, and when you integrate, you 15:52 Speaker A transform into someone different. But there are also layers of an onion, obviously, but what happens is that what was holding up a lot of other things is also released, and you begin to enter a more creative state because 16:04 Speaker A all the time you realize that everything is patterns hidden behind appearances. All patterns have an origin and all can be reframed, and you keep transforming because you are overcoming very sacred beliefs that you thought couldn't be touched because 16:17 Speaker A they were defending you, they were defending your programming. And it's crazy because your most sacred faith and what you believe most is what stops you the most from achieving what you want. Your beliefs, what you take for granted, right? This is how it is, this 16:29 Speaker A is impossible. Everything you say keeps limiting you and you aren't aware of it . When you uncover it, everything falls away. Sure, ritual art is a philosophy that draws from all of this, but it's so broad, so difficult to explain, that 16:39 Speaker A either you're with me for 20 years or it's hard to learn. Since I was with a master for 7 years, I was practicing it . Because it's a little bit—look at how complex it is—it's a bit like what all initiatory cultures did, right 16:50 Speaker A ? It’s as if psychomagic were just a small part of ritual art. It's just that we’ve called it ritual art because we had to give it a name and we have to show it to the world, because otherwise, it's just shamanic or 16:59 Speaker A initiatory, but what is it? There are thousands of different forms that sometimes even face what’s behind all that, that knowledge, right? So this is ritual art, and I wanted the method to boil down to a practical system where 17:12 Speaker A you could apply it for yourself and for others in consultations, with groups, with people, in sessions, and for you. 17:18 Speaker A And in fact, it can enhance any therapy , okay? It’s as simple as this. So, when you have a problem, when you feel you aren't being creative, when you feel you are creatively blocked or have an issue, first enter a state of 17:30 Speaker A connection with yourself and play. Life is a game, everything is a game; it seems very serious, but from a much broader place, you are playing. If you can’t get there, it’s very hard for you to do it, because then, from a 17:41 Speaker A place of play, observe the patterns, unveil what is behind what is happening to you. We have unlocked even judgments , we have even unlocked the craziest things, right? Because you also have to know how to interpret life, which 17:55 Speaker A speaks to you in symbolic language, but that’s another story. I think just this is enough for you to understand, right, what is behind your pattern or someone else's pattern, where it comes from—I’m going to make it very easy 18:06 Speaker A , okay? Where does it come from? How are you going to re-signify it? And how do you integrate it? Now do it. Sure. 18:11 Speaker A That’s why we created the method so that you start learning it quickly, directly, simply, and we tell you more inside. If you want to know more about this method, I’ll leave the link here in the video description. You can go 18:22 Speaker A check it out and decide, because you also get a certification to work with others. And there is even a higher level, which would be entering our school. Our school opens in October. If you've completed the method, you can 18:33 Speaker A join our school, do internships with us , become an expert, and graduate with a higher-level degree. But if you want to start with a standard degree and get moving, you can do that too. It’s a way to earn money and help others, but 18:43 Speaker A above all, to help yourself first, because that’s what it's for—to help you start your own transformation, okay? Plus, right now, at least for this first year, we’ll be hosting one live online session per month to help you with your questions, because there 18:58 Speaker A will be many. We’ll see later if we have time to do more, but for now, we'll do that, and you can take advantage of it. I’ll leave the link here in the video description, and we’ll be waiting for you there. I 19:08 Speaker A love you very much, as the trout told you and the other trout at some point, for sure. Well, return to your roots and, above all, shine. Okay, bye. Oh. 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