**Shree Harini Swabhavik Chesta | શ્રીહરિની સ્વાભાવિક ચેષ્ટા | Animation | GyanjivandasjiSwami -Kundal — Transcript & Summary | SozAI**
Source: https://sozai.app/transcript/shree-harini-swabhavik-chesta-animation/

Explore the divine natural actions and transcendental plays of Shree Hari, revealing profound spiritual insights and devotional bliss.

## Key Takeaways

- Shree Hari’s divine plays are sacred and transcend mere animation.
- Meditation and devotional darshan of Maharaj lead to spiritual realization.
- Maharaj’s human-like actions are expressions of divine compassion and joy.
- Bhakti combined with knowledge, renunciation, and dharma is essential for spiritual growth.
- Devotees’ sincere offerings and Maharaj’s acceptance strengthen the devotee-God bond.

## What the video covers

- The video presents Shree Hari’s Swabhavik Chesta, emphasizing the divine plays of the Supreme Lord beyond mere animation.
- It highlights Maharaj’s transcendental actions, meditation, and interactions with devotees and saints.
- The divine form of Maharaj exhibits human-like behavior to bestow happiness and spiritual realization to devotees.
- Maharaj’s compassion, humor, and devotion are depicted through detailed descriptions of His daily activities and gestures.
- The discourse includes explanations of Bhakti combined with knowledge, renunciation, and dharma.
- Devotees’ offerings and Maharaj’s acceptance symbolize His loving relationship with followers.
- The video portrays Maharaj’s rituals such as bathing, dining, and serving devotees with utmost faith.
- Descriptions of Maharaj’s physical beauty marks and gestures evoke deep reverence and meditation.
- The transcendental nature of Maharaj’s presence destroys fear of death and worldly misery.
- The video concludes with devotional singing and the promise of liberation through Satsang established by Maharaj.

## Chapters

1. 00:00 Introduction to Shree Hari’s Divine Plays
2. 01:08 Chanting and Purification of Intellect
3. 02:01 Meditation and Transcendence
4. 03:10 Human-like Divine Behavior and Spiritual Discourse
5. 04:26 Joy from Divine Actions and Interaction with Saints
6. 05:26 Playful and Compassionate Nature of Maharaj
7. 06:12 Physical Gestures and Expressions
8. 08:20 Devotional Service and Daily Rituals
9. 09:29 Bathing and Dressing Rituals
10. 10:22 Dining and Devotee Interaction

Answers

## Questions about this video

What is the main theme of the video?

The video focuses on the divine natural actions (Swabhavik Chesta) of Shree Hari, illustrating His transcendental plays and human-like behaviors to inspire devotion and spiritual realization.

How does Maharaj interact with devotees in the video?

Maharaj interacts lovingly with devotees by accepting their offerings, engaging in playful activities, serving food, and showing compassion, which strengthens the devotee-God relationship.

What spiritual teachings are highlighted in the video?

The video emphasizes Bhakti combined with knowledge (gnãn), renunciation (vairãgya), and dharma, explaining these through Maharaj’s profound discourses and divine actions.

## Full Transcript — Download SRT & Markdown

00:16

Speaker A

Jay Swaminarayan! Please do not inconsiderately regard Shree Hari’s Swabhavik Chesta (The Divine Plays of the Supreme Lord) as merely an animation.

00:22

Speaker A

Exclusively manifesting here for me, Maharaj (Supreme God), along with His Mukts (liberated souls), is performing the transcendental plays to offer His divine glimpse.

00:29

Speaker A

If we marvellously and perpetually perform darshan with utmost significance, then we would achieve the realization of the Supreme God.

00:37

Speaker A

Firstly, I bow my head at the feet of Mahãrãj as I sing of His unique divine actions.

00:46

Speaker A

Even the great saints, who have focused their minds and go to the forest for worship, and have perfected the Yogic Asans, meditate upon and affectionately think of Mahãrãj's divine actions.

01:01

Speaker A

Dear friend, by listening to Mahãrãj's natural proclivities, the fear of Yama (death) is eliminated.

01:08

Speaker A

I recall and adoringly chant the divine actions of Mahãrãj. Mahãrãj, kindly purify my intellect.

01:16

Speaker A

When Mahãrãj is sitting, He naturally takes a rosary made of Tulsi wood in hand and turns it.

01:24

Speaker A

Doing some amusing activity, a charming Mahãrãj would ask for a rosary from one of the devotees.

01:31

Speaker A

Doubling the rosary, He would swiftly turn two beads together. Often, He would break it.

01:39

Speaker A

While giving a discourse or creating amusement, He would often laugh. He would often rub a rosary in His hands.

01:46

Speaker A

Premãnand says that sometimes, with His lotus-like eyes closed, Mahãrãj would meditate. Please listen, my friend, to the divine actions of Mahãrãj, listening to which provides ecstasy.

02:01

Speaker A

Sometimes, even with His lotus-like eyes open, He would meditate while sitting outside. Sometimes, He would become startled and would awake from His meditation. Seeing this, the misery of the cycle of births and deaths is demolished.

02:17

Speaker A

Saints and devotees would gather in an assembly before Him and constantly look at Him.

02:24

Speaker A

While Mahãrãj Himself sits and performs meditation, the saints and devotees cannot have enough of the sight.

02:32

Speaker A

Seeing saints sing glory of God (kirtans) with the accompaniment of instruments, Mahãrãj would become happy.

02:39

Speaker A

Seeing Mahãrãj snap His fingers and sing along with them, the saints and devotees would be delighted.

02:47

Speaker A

Sometimes, while the saints sang clapping, Mahãrãj would also sing and clap along. When saints sang kirtans or when the holy scriptures were read before Him, or even if He Himself delivered a discourse, Premãnand's Master would come sliding forward in His seat.

03:10

Speaker A

Mahãrãj would perform auspicious human-like behaviour while sitting in an assembly of devotees, and worldly yearnings would vanish upon seeing Him. Bhakti combined with gnãn, vairãgya, and dharma is a subject which Mahãrãj would explain to His devotees through profound discourse.

03:32

Speaker A

He would ardently explain the essence of the scriptures of Yog, Sãnkhya, Panchrãtra, and Vedãnt.

03:40

Speaker A

When devotees from various places would arrive for a festival, they would bring several types of offerings.

03:47

Speaker A

Knowing the devotees as His own, Mahãrãj would accept their offerings. Mahãrãj, who is wise, would make His own devotees meditate, thus controlling their life pulse (induce trance).

04:03

Speaker A

From this trance, He would awaken His devotees and bring back their breath, senses, and minds into their bodies.

04:10

Speaker A

While seated in an assembly of saints, when Mahãrãj would wish to call some devotee near, Premãnand says He would use His index finger, gesture with His eyes, or call aloud for him.

04:26

Speaker A

Listening to the innovative and blissful divine actions of Mahãrãj yields great happiness. Sometimes He talks with saints while rubbing a small bunch of roses with His hands.

04:41

Speaker A

Knowing lemons and a garland of roses to be naturally cool, He would often keep them pressed on His eyes.

04:48

Speaker A

At times, in a pleased mood, He would talk even though a scripture was being read out loud.

04:56

Speaker A

Often, listening to kirtans, He would muse. At this time, if someone would come to ask Him about His meal, or if someone would put a garland on Him, or if someone would come to worship Him, He would get very upset and annoyed.

05:11

Speaker A

Often, while listening to the spiritual discourses, He would exclaim "Hare Hare!" Upon hearing the essence of the discourses, He would be pleased and oscillate.

05:18

Speaker A

His attention would be in spiritual discourses even while performing other activities. At times, He would suddenly exclaim "Hare!" even while eating.

05:26

Speaker A

My dear friend, when He realizes it (His mistake), He would look at the devotees and laugh a little.

05:34

Speaker A

Thus Mahãrãj would constantly shower joy. Having seen them, Premãnand sings of those divine actions.

05:41

Speaker A

Listen dear friend, the divine form of Mahãrãj performs various actions assuming a human body.

05:49

Speaker A

The fascinating Mahãrãj has become human-like with ineffable majesty to bestow happiness to His devotees.

05:56

Speaker A

Sometimes Mahãrãj would sit on a dholiyo, and sometimes He would sit on a chãkalo.

06:04

Speaker A

Sometimes He would lovingly sit on a quilt covered with a sheet which was spread on the floor.

06:12

Speaker A

Sometimes, upon seeing a cylindrical pillow on top of a dholiyo, He would sit on the pillow cross-legged.

06:19

Speaker A

He would often sit leaning on a cylindrical pillow with one elbow, or sometimes He would tie His knees taking sash.

06:27

Speaker A

O friend, sometimes, being enormously pleased, He would pull the saints and devotees into His arms and hug them.

06:34

Speaker A

Sometimes He would place His hands on their heads or give footprints of His lotus feet on their chests.

06:42

Speaker A

Sometimes, He would give away garlands, tassels of flowers, or He would take off clothes decorating His body and give them away.

06:50

Speaker A

Premãnand says, or sometimes the saviour of the devotees would give away His sanctified thãl. He would do deeds like these, to which even sages like Shukdevji sing and recollect daily.

07:05

Speaker A

Sometimes He would press His tongue by His teeth, and sometimes, He would move it naturally to the left, right, and back part of the mouth.

07:12

Speaker A

While sneezing, He would put a handkerchief across His mouth and sneeze. Initiating humour, Mahãrãj would laugh a lot while putting a handkerchief across His mouth.

07:27

Speaker A

He had a habit of twisting the edge of the handkerchief while talking. Mahãrãj's exceedingly compassionate nature is good because it destroys people's miseries.

07:43

Speaker A

He couldn’t tolerate seeing anyone being miserable. He would get upset and show compassion. Giving food, money, and clothing, He would avert people's misery and with His compassionate glance, would change people's moods.

07:58

Speaker A

He often wore a sash thrown over the left shoulder. Sometimes He would walk with a handkerchief in His right hand.

08:05

Speaker A

Premãnand's friend would sometimes walk with His left hand on His waist. The devotees would get happy singing and listening to Mahãrãj’s everyday divine and novel actions.

08:20

Speaker A

His natural inclination was to walk hastily and would call devotees lovingly. Sometimes when He would wish to mount a horse or when He would arrive to serve the saints,

08:36

Speaker A

He would place a sash over the left shoulder and tightly tie it around His waist.

08:43

Speaker A

He serves lãdus and jalebis calling out the names of the foods He serves. Often He would walk around the row of persons sitting at meal repeatedly to serve saints and devotees.

08:58

Speaker A

He would serve with extreme faith and devotion. He would laughingly place a lãdu in someone's mouth.

09:06

Speaker A

Mahãrãj would awake to do His dãtan (brush teeth) 96 minutes before sunrise. He would sit cross-legged to bathe, pouring water with an urn (kalash).

09:21

Speaker A

Premãnand says that all devotees would gaze at Mahãrãj wiping His body with a dry cloth.

09:29

Speaker A

When standing after bathing, Mahãrãj looked handsome. He would often wring His worn clothing between His thighs.

09:36

Speaker A

After drying His legs and thighs, Mahãrãj would wear a dry garment (dhotiyu) extremely tightly.

09:44

Speaker A

Having wrapped Himself with a silk-bordered upper garment, Mahãrãj would arrive to dine wearing wooden sandals (chãkhadis).

09:51

Speaker A

He would sit to dine with an upper garment covering His head, leaving His ears uncovered for my pleasure.

09:59

Speaker A

While dining, He would place His left hand upon His folded left leg. While dining, He would place His right hand over His upright right leg.

10:14

Speaker A

This God of gods would dine charmingly and had a habit of d

10:22

Speaker A

While dining, He would give His favourite devotees those food items which He found tasty… …only then He would dine. Devotees enjoyed (seeing) Mahãrãj dine.

10:37

Speaker A

While dining Premãnand's Master would rub His hand on His stomach and sometimes belch. After being satisfied, He would wash his hands, mouth and then clean His teeth with a silver toothpick.

10:52

Speaker A

Taking mukhvãs, He would sit on a dholiyo, and devotees would extremely lovingly perform (His) pujã.

11:00

Speaker A

Mahãrãj would tie a turban just above His eyebrows and would leave a chhogu at the end.

11:07

Speaker A

Knowing the end of monsoon or the start of winter, He would praise the pure water of the Ghela River, and … Taking saints and devotees along, Mahãrãj would arrive at the Ghelã to bathe.

11:22

Speaker A

Performing numerous water-sports in the water, He would clap while singing kirtans. He would come out, after bathing and wearing dry clothes, Mahãrãj would come home sitting on a horse.

11:38

Speaker A

The devotees would return while singing His auspicious glory, and the joy of seeing Mahãrãj couldn’t be contained in their hearts.

11:45

Speaker A

Seeing Mahãrãj, the residents of Gadhadã would repetitively feel their eyes have become fruitful. Upon arrival, Premãnand's Mahãrãj would sit on a dholiyo in the courtyard.

12:00

Speaker A

In order to bestow bliss upon His own disciples, Mahãrãj himself, God, has manifested. Assembling all, He would sit in the courtyard, shining like a full moon amidst the star-filled sky.

12:15

Speaker A

He would fulfil the devotees by showering the bliss of God. At night, having eaten a pure meal, Mahãrãj would go to sleep.

12:23

Speaker A

He would rub two fingers upright in the middle of His forehead, as if applying a tilak.

12:31

Speaker A

Daily, while lying in bed, He would ask for a rosary and would turn it with His right hand with utmost focus.

12:38

Speaker A

Mahãrãj's natural propensity was such that a breach in such niyams would never occur on any day.

12:46

Speaker A

Even while in deep sleep, if someone would accidentally touch him slightly… …at that time, Mahãrãj would suddenly awake and ask (His) attendant, "Who is it?" I have sung such endless and infinite divine actions of Mahãrãj as per my little intelligence.

13:08

Speaker A

Premãnand's Swãmi will be pleased on whosoever lovingly learns, listens to, and sings (these divine acts).

13:17

Speaker A

My beloved Mahãrãj, you are the most handsome of all; come closer so that I may see you.

13:23

Speaker A

My life, and with great care I shall string your form into my soul. With concentration, I reminisce the matchless signs on the various parts of your body.

13:36

Speaker A

Observing you from head to toe, which always seem novel, I absorb your form into my heart.

13:42

Speaker A

Beauty of Your red coloured lotus-like feet is too lovely. My mind is extremely eager to ponder on them.

13:55

Speaker A

Firstly I ponder on all sixteen beautiful signs on your feet. Illumining Urdhva-rekha is extremely novel… …as it originates from between the big toe and second toe… ...and to both sides of the heel, seeing which, the devotees' minds are contented.

14:20

Speaker A

I shall tell you the names of the enchanting divine signs on Mahãrãj's feet. By contemplating on these signs with a pure mind, worldly desires are destroyed.

14:33

Speaker A

An octagon, urdhva-rekhã, swastik, jãmbu, barley… …thunder bolt, ankush, flag, and lotus are the nine signs on His right foot.

14:45

Speaker A

A triangle, urn, cow’s foot, bow, fish… …crescent-moon and sky are the seven signs on the left foot.

14:58

Speaker A

There is a mark inside the nail of the right foot's big toe. Any devotee who sees this mark gains perfect affection.

15:10

Speaker A

I meditate upon the novel beauty mark near that same right big toe. Premãnand says that I would sacrifice my life affectionately observing these marks.

15:23

Speaker A

I will never forget my beloved… …with every breath I regularly remember Him. Having attained Mahãrãj… …how can I now keep it a secret?

15:43

Speaker A

The time has come for me to wed Mahãrãj… …such groom cannot be gained by spending money.

15:54

Speaker A

That achievement cannot be enjoyed without fortune. That love doesn't come without an internal desire.

16:04

Speaker A

Let the non-believers speak whatever their minds believe. Mahãrãj, kindly dwell inside my heart. Having attained Nishkulãnand’s Master, I have now achieved a rank of perfection.

16:24

Speaker A

Now to have my beloved's sight… …thousands and thousands of devotees come. Sahajanand Swami, now sits on a dholiyo… …who is the supreme Godhead, and who is omniscient.

16:44

Speaker A

Mahãrãj sits amidst an assembly of Saints… …just as a moon shines when encircled by stars in the sky.

16:54

Speaker A

In Gadhadã a divine "dance" takes place… …in which (Mahãrãj) "plays" along with saints and brahmachãris.

17:04

Speaker A

While clapping rapidly an enchanting… …dhoon is sung, unique in the 14 loks. Seeing Mahãrãj's extremely beautiful chhogalu in his pãgh… …the minds of devotees get enchanted.

17:25

Speaker A

Thus arrived our beloved Mahãrãj, a ocean of all bliss… …Sahajanand – resident of Aksharadhãm.

17:35

Speaker A

The shortcomings of all my births have been destroyed… …Having attained Nishkulanand's Master. I bow down to Mahãrãj, full of bliss, matchless, and the essence of all.

17:52

Speaker A

Worshipping whom releases one from the plot of maya and bypasses one from the cycle of births and deaths.

17:57

Speaker A

I remember the manifest form of Mahãrãj, whose glory is limitless. To whom Shiv, Brahmã, and other deities worship, having abandoned all desires.

18:07

Speaker A

No one can transcend Mahãrãj, who is the upholder of (even) Aksharbrahma. To whom Sheshnãg sings with his 1000 mouths, and whom the Vedas define as indefinable.

18:16

Speaker A

Bowing at Mahãrãj’s two feet, I describe the beauty of His indescribable form. May Premsakhi's Master reside completely, from head to toe, in my heart.

18:26

Speaker A

Come, my charming Mahãrãj, so that I may observe Your form (murti). I keep Mahãrãj carefully in my heart, and shall not forget Him from within.

18:35

Speaker A

Mahãrãj, my mind has been lured by the variety of Your turban (pãghs). Mahãrãj, come near so that I may insert decorative feathers into Your turban and see You enthusiastically.

18:45

Speaker A

Mahãrãj, Your beautiful forehead, (with its) gorgeous tilak shines. Mahãrãj, the beauty mark on Your left ear has won my mind.

18:54

Speaker A

Mahãrãj, the curve of Your eyebrow has penetrated my heart. The eyes of Premsakhi's Master have stolen my mind.

19:04

Speaker A

Mahãrãj, Your affection has subdued me in your love. My mind is keen to see the beauty mark on Your cheek.

19:14

Speaker A

Mahãrãj, Your nose is curved and pointed; Your lips are red like tindolã. Mahãrãj, I would give up my life to see Your lips.

19:23

Speaker A

Mahãrãj, You have an elegant way of chewing with Your teeth, which resemble pomegranate seeds.

19:28

Speaker A

Mahãrãj, Your sweet singing takes my breath away. Mahãrãj, my mind has been spell-bound by Your laugh. Now I will not like anything else.

19:38

Speaker A

My mind continuously roves behind Premsakhi's Master. Mahãrãj, I have seen the striking lines on Your beautiful neck.

19:47

Speaker A

Mahãrãj, my mind craves to meet You and is absorbed in Your thoughts. There are four attractive beauty marks near Your right arm.

19:57

Speaker A

Mahãrãj, on the middle of Your neck is a beauty mark, which is unutterably beautiful and the essence of all.

20:02

Speaker A

My eyes have become satisfied on seeing the threadless garland on Your chest. Mahãrãj, having seen this, loving devotees engage in meditation on that form daily.

20:11

Speaker A

Mahãrãj, having seen Your form, devotees who love you have gone mad. Come Mahãrãj, Premsakhi's beloved and handsome Master.

20:21

Speaker A

Mahãrãj, just seeing both of Your arms dismisses my miseries. Mahãrãj, performing many gestures with Your hands; please come to my doorstep.

20:31

Speaker A

Having seen the lines on Your fingers and Your gem-like nails… …I will steal and keep that vision in my mind, not telling anyone about it.

20:40

Speaker A

My soul is very eager to see the untellable stamp on Your chest. The joy I feel in my heart is flooded, as if You were to embrace me at this very moment.

20:50

Speaker A

You have a marvellous stomach which always remains cool. Oh Mahãrãj, Premsakhi's very life, please come close so that I may embrace You.

20:59

Speaker A

Fond devotees live by seeing Your form (murti), which is full of bliss. One who has tasted mango nectar (bliss of God) can never drink buttermilk (worldly pleasures).

21:09

Speaker A

Mahãrãj, you are my wealth and pleasure, and are beloved to my mind. Mahãrãj, (I recall when You) would laughingly evoke me; please come to my mandir.

21:18

Speaker A

Mahãrãj, my mind is fond of your wheat-coloured nonpareil form. Mahãrãj, my mind bows at Your feet in order to see Your Youthful form.

21:28

Speaker A

Mahãrãj would speak explaining the essence (of all); with Your lotus-like eyes, please come near.

21:33

Speaker A

Mahãrãj would sway; O Premsakhi's friend, please come to my mandir. Mahãrãj, Your form is unparalleled, and Your stomach is very beautiful.

21:43

Speaker A

Mahãrãj, I see the three beautiful wrinkles on Your stomach; please come near, towards us.

21:47

Speaker A

Mahãrãj, Your navel is unique, very deep and round. Mahãrãj, having seen Your delightful waist my mind has become very happy.

21:57

Speaker A

Mahãrãj, in my mind I constantly see the beauty of both Your thighs. Mahãrãj, I persistently see Your calf and heel, and won't tell anyone about it.

22:06

Speaker A

I very lovingly meditate on Your holy feet. O Mahãrãj, Premsakhi's Master, come near, for I wish to keep You within my mind.

22:16

Speaker A

Mahãrãj, I lovingly extol the beauty of Your both feet. Mahãrãj, when You walk, the soles of Your feet, extremely soft, red, and full of bliss, steal my mind.

22:26

Speaker A

Mahãrãj, You have a beauty mark on Your right big toe and a marking in that nail.

22:30

Speaker A

Mahãrãj, my mind is like a beggar asking to see the beauty mark on Your last toe.

22:35

Speaker A

Mahãrãj, seeing the redness of Your nails, even the phases of the moon are belittled.

22:40

Speaker A

Mahãrãj, just as a chakor (bird is indulged in) the beauty of the moon, devotees are similarly adept in seeing your form.

22:45

Speaker A

Mahãrãj, may my senses reside in the urdhva-rekhã (on the soles of Your feet) Premsakhi asks with folded hands to grant this gift to Your servant.

22:59

Speaker A

Mahãrãj, you are true wealth; I have realized everything else is misery-inducing. Mahãrãj, you are true wealth.

23:15

Speaker A

Except you, all the so-called wealth and joy of this world create great misery. In the end, they are all useless.

23:30

Speaker A

Mahãrãj, you are true wealth. Let the foolish people of the world die wandering; let them fall, beating their heads with false company.

23:45

Speaker A

My mind is now forbore from those activities. Mahãrãj, you are true wealth. My mind has become infatuated by seeing that eternal and otherworldly joy.

24:05

Speaker A

I sacrifice all my land and money to you. Mahãrãj, you are true wealth. I have seen the pleasures from Brahmã to the smallest insect, and realizing them to be false, have condemned them.

24:26

Speaker A

Muktanand's mind has become captivated with your company. Mahãrãj, you are true wealth; I have realized everything else is misery-inducing.

24:41

Speaker A

Mahãrãj, you are true wealth. The beloved, resident of imperishable abode (Akshar) has arrived on the earth… …the Master walks passionately on the nine continental land.

24:56

Speaker A

The beloved, resident of imperishable abode (Akshar) has arrived on the earth… After arriving on the earth, Lord has established Satsang… …and promised liberation to His devotees.

25:10

Speaker A

The beloved, resident of imperishable abode (Akshar) has arrived on the earth… Ladies and gents follow five vows of Satsang… …and commenced true relationship with devotees.

25:23

Speaker A

The beloved, resident of imperishable abode (Akshar) has arrived on the earth… On seeing ladies, gents walk away… …and do not grab someone’s fallen things from the ground.

25:37

Speaker A

The beloved, resident of imperishable abode (Akshar) has arrived on the earth… Beloved is the God of gods and the owner of highest divine abode… The name of such present God is Sahajanand Swami.

25:51

Speaker A

The beloved, resident of imperishable abode (Akshar) has arrived on the earth… Beloved of Premanand is bestower of happiness… …and thus amplified the honour of His followers.

26:05

Speaker A

The beloved, resident of imperishable abode (Akshar) has arrived on the earth… …the Master walks passionately on the nine continental land.

26:14

Speaker A

The beloved, resident of imperishable abode (Akshar) has arrived on the earth… Mahãrãj, the God of all saints, now sleeps.

26:27

Speaker A

Swaminarayan's divine form is the shelter of all saints. Mahãrãj, the God of all saints, now sleeps.

26:49

Speaker A

Mahãrãj, who is above Akshar and who is entirely blissful, has taken residence upon this earth.

26:57

Speaker A

(Any) person who meets him, traverse mãyã and achieves Akshardhãm. Mahãrãj, the God of all saints, now sleeps.

27:19

Speaker A

Lakshmi, Shesh Nãg, Shiva, and great saints chant his virtuous name. By placing the dust from his feet on their heads, people become free from worldly desires.

27:44

Speaker A

Mahãrãj, the God of all saints, now sleeps. Mahãrãj peacefully rests on a bed made of love.

27:57

Speaker A

Sitting near God's feet, Muktanand sings his virtues 24 hours a day. Mahãrãj, the God of all saints, now sleeps.

28:19

Speaker A

Swaminarayan's divine form is the shelter of all saints. Mahãrãj, the God of all saints, now sleeps.

28:46

Speaker A

Glory to Lord Swaminarayan!

Topics: Shree Hari Swabhavik Chesta Swaminarayan Bhagwan Divine Plays Devotion Meditation Bhakti Spiritual Realization Maharaj Satsang

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