**'풋살' 실전 드리블 31가지 [쌈풋강좌 몰아보기2] — Transcript & Summary | SozAI**
Source: https://sozai.app/transcript/futsal-dribble-techniques-31/

Learn 31 practical futsal dribbling techniques focusing on ball control, turning, and creating passing lanes to outmaneuver defenders.

## Key Takeaways

- Effective futsal dribbling requires constant awareness of defender positioning and readiness to retreat or turn.
- Keeping the ball close and under control with the sole of the foot allows for quick directional changes and passing.
- Inside dribbling and body positioning are key to creating space and opening passing lanes.
- Practicing moves like the Z-move and behind-the-back turn can help players evade tight defensive pressure.
- Developing ball sense and intuition is essential for adapting dribbling techniques to various game situations.

## What the video covers

- The video teaches 31 practical dribbling moves for futsal emphasizing checking back, turning, and retreating when blocked.
- Inside dribbling is highlighted as the most advantageous technique for maintaining control and creating passing lanes.
- The importance of keeping the ball glued to the sole of the foot while dribbling with the head up is stressed.
- Techniques like the Z-move, behind-the-back turn, and crab dribbling (isolation) are demonstrated for evading defenders.
- Players are encouraged to use body positioning and angles to create space and confuse opponents.
- The video stresses the need for awareness of defensive distance and adapting dribbling moves accordingly.
- Pivot turns and quick directional changes are recommended to maintain momentum and avoid losing the ball.
- The concept of pushing the ball forward continuously to build momentum and execute feints is explained.
- The importance of intuition and situational awareness in choosing the right dribble move is emphasized.
- The video includes practical advice on how to escape close defensive pressure and create scoring opportunities.

## Chapters

1. 00:00 Introduction to Checking Back and Retreating
2. 02:34 Inside Dribbling and Creating Passing Lanes
3. 04:35 Defensive Distance and Dragging the Ball
4. 06:45 Behind-the-Back Turn Techniques
5. 09:34 Escaping Close Defensive Pressure
6. 11:50 Practicing the 'L' Shape Movement
7. 14:04 Pushing Forward and Continuous Ball Control
8. 16:08 Using Intuition and Awareness in Dribbling

Answers

## Questions about this video

What is the most advantageous dribbling technique in futsal according to the video?

Inside dribbling is considered the most advantageous technique because it allows players to keep the ball close, create passing lanes, and quickly react to defender movements.

How should a player react when a defender blocks their forward movement?

Players should not panic but instead retreat as much as they advanced, often moving diagonally to create space while keeping the ball under control.

What is the 'Z-move' and why is it useful in futsal?

The Z-move is a dribbling technique involving quick directional changes that create a Z-shaped movement pattern, helping players to momentarily create distance from defenders and find passing lanes.

## Full Transcript — Download SRT & Markdown

00:11

Speaker A

You also need to check back when you go to the right or to the left. During a game, situations where you just go straight ahead don't really happen. But the benefit of knowing this is that if a defender is here at the center circle, and you try to pass but can't, you can do this. Then you can also turn here, right? Since it's a touch favorable for moving forward, don't panic when blocked, just retreat as much as you advanced. Okay. And you

00:22

Speaker A

, and you try to pass but can't, you can do this. Then you can also turn here, right? Since it's a touch favorable for moving forward, don't panic when blocked, just retreat as much as you advanced. Okay. And you

00:35

Speaker A

don't always just go straight forward, right? Then how should you check back when going this way? I can check back like this even while dribbling this way. Anyway, the defender is here, so you don't need to retreat straight back; you just need to get further from the defender by moving diagonally, but this also has to stay right under your feet, so even while dribbling this way with your head up, you can pull it back, cross your legs, and use the side of

00:56

Speaker A

you just need to get further from the defender by moving diagonally, but this also has to stay right under your feet, so even while dribbling this way with your head up, you can pull it back, cross your legs, and use the side of

01:10

Speaker A

your foot to keep it safe, feeling like it's rolling under your sole. Of course, you can use just the sole of your foot too. Meaning the sole. The sole, right? But to press the ball firmly so it doesn't slip away, use this method.

01:29

Speaker A

Because this can block it. But you shouldn't just hold it like this. You have to bring it over with your foot immediately. So when you go left, you can turn like that, and when you go right...You can't check back from here

01:40

Speaker A

Because this can block it. But you shouldn't just hold it like this. You have to bring it over with your foot immediately. So when you go left, you can turn like that, and when you go right... You can't check back from here

01:55

Speaker A

Let's go like this. Even if you're rushing, you need to turn around. Like that.

01:59

Speaker A

like this. So here, you turn and then... Then you change direction to pass or look forward; that's what it is, right?

02:06

Speaker A

The other side. Okay. You can also go inside and pass. Think of it as the advantage of turning your body in a favorable direction while keeping the ball glued under your sole. And even while doing this, you can quickly release it and then start

02:19

Speaker A

Let's go like this. Even if you're rushing, you need to turn around. Like that.

02:34

Speaker A

have to find a passing lane while keeping the ball very safely. For that, inside dribbling is the most advantageous. Because if they come at you, you pull it back, and if the defender shifts, you push it to the

02:42

Speaker A

He's looking far ahead. Very much so. You can also give a pass. Okay. And on the other side, if you're doing this, you press the ball and move back.

02:55

Speaker A

defensive distance, but in most common scenarios, when you go like this and drag it...You pull it out immediately.

03:06

Speaker A

The other side. Okay. You can also go inside and pass. Think of it as the advantage of turning your body in a favorable direction while keeping the ball glued under your sole. And even while doing this, you can quickly release it and then start

03:17

Speaker A

angle to find a passing lane. So for example, one, two, three—it creates a bit of a Z-shape, and it's the same, crossing over like this. In short, if the defender is here, you’ll momentarily create distance. I turned around from the defender here. I pulled

03:33

Speaker A

dribbling again. Another advantage is that even while doing this, you can move back and create a situation to dribble inside again. That's why this type of dribbling fits futsal; if you get intercepted while facing a defender in our zone, it's a scoring threat. You

03:42

Speaker A

As you can see, if you look at my face, I keep my head up almost the entire time; if the pass isn't on, right? So, it feels like the ball is truly stuck to the sole of your foot. Especially in

03:55

Speaker A

have to find a passing lane while keeping the ball very safely. For that, inside dribbling is the most advantageous. Because if they come at you, you pull it back, and if the defender shifts, you push it to the

04:09

Speaker A

keeping it on the foot and creating angles. There are many other ways to apply this, and while this isn't the only answer, here is what I did often.

04:16

Speaker A

side. This stance is essential for futsal players; it's sometimes called "crab dribbling." Uh, it's also called "isolation." So keeping the ball on your inside is very advantageous. There are many situations, and there's no single correct answer depending on the

04:20

Speaker A

They are focused on this and coming toward you. You have to touch the ball or make them uncomfortable. You turn like this from here. Like this. In any case, the defender is coming. You pull it to create an angle here, but since

04:35

Speaker A

defensive distance, but in most common scenarios, when you go like this and drag it... You pull it out immediately.

04:48

Speaker A

Oh, nowhere to pass. I stepped back. But here they come. Like this. Okay. Okay. Okay. Like this. The turn I just did is one of many movements, but the one I use a lot—especially the kind seen in Brazilian street futsal—is

05:05

Speaker A

I use this a lot and many people have been curious about it, so I call it the Z-move and teach it in my training sessions. It’s not just about turning or stepping back; because the defender is already so close, you create an

05:13

Speaker A

And while many things can come from this, it’s probably going to feel very awkward at first. It’s hard to move it this way and you feel like you're being pushed. So, the easiest thing is a pivot turn, and I think it

05:22

Speaker A

angle to find a passing lane. So for example, one, two, three—it creates a bit of a Z-shape, and it's the same, crossing over like this. In short, if the defender is here, you’ll momentarily create distance. I turned around from the defender here. I pulled

05:37

Speaker A

behind, using your right foot. What I mean is, I take one more step. Because, like this—I'll do it slowly. See. I plant it one more time. Like this, so with this momentum—this momentum I've built—I can push forward. Anyway, we

05:51

Speaker A

it back. Then I created an angle to the side. Doing this in succession. For example, something like this. Oh boy. I pretend to pass, then create an angle.

06:01

Speaker A

application, there could be many things , but it's about developing an eye for the opponent, awareness of distance, whether the opponent is in range to poke, and how to react accordingly.

06:09

Speaker A

As you can see, if you look at my face, I keep my head up almost the entire time; if the pass isn't on, right? So, it feels like the ball is truly stuck to the sole of your foot. Especially in

06:24

Speaker A

You can find two important points here. Here’s what I mean, let me show you.

06:27

Speaker A

Brazilian street soccer, kids play without looking at the ball, keeping it glued to their soles. Continuously. Of course, the ball is always moving. The ball keeps moving. It moves this way and that, and even while moving, they never stop rolling it. So, we practiced

06:45

Speaker A

behind-the-back turn, but the foot can come in deep here. You hide the ball a bit far away from the defender's foot.

06:50

Speaker A

keeping it on the foot and creating angles. There are many other ways to apply this, and while this isn't the only answer, here is what I did often.

07:06

Speaker A

and push it slightly. Avoid and push. So pushing forward is really important; once you've learned this ball sense, practice pushing forward continuously later. Recommended. Even if it's not exactly this situation, there are times when you have the ball to your side and

07:22

Speaker A

You try to pass, but it's not on. You turn around. The defender comes in.

07:33

Speaker A

see everything. If you have this sense, you just push while moving forward. Like this, you have to be able to push forward first to pull off the next feint. So, I think it would be good to practice adding a feint from here.

07:52

Speaker A

They are focused on this and coming toward you. You have to touch the ball or make them uncomfortable. You turn like this from here. Like this. In any case, the defender is coming. You pull it to create an angle here, but since

08:13

Speaker A

push, you place your plant foot behind. Once you get that momentum to move forward, at that timing, you put your strength in and go this way. You turn this way. There’s a similar turn in basketball, too. You move with that

08:26

Speaker A

the defender has arrived, you turn toward the furthest direction—it’s like a pivot move. Shall we try it with a defender pressing? For instance, you dribble, and the defender comes. It didn't work. Like this. Right? But from here, it’s this. It's this. Likewise.

08:40

Speaker A

to go this way. You have to take it while in that pushed state. So, let's practice this continuously with ball touches. Push, Turn, Push, go to push but turn, push again, go to push but turn, push again, Go to push but turn,

09:14

Speaker A

Oh, nowhere to pass. I stepped back. But here they come. Like this. Okay. Okay. Okay. Like this. The turn I just did is one of many movements, but the one I use a lot—especially the kind seen in Brazilian street futsal—is

09:26

Speaker A

planting your foot and then pushing off . Your speed when pushing off needs to increase, and you need to be able to go while blocking the opponent; that's one important point. The second point is that you should be able to change

09:34

Speaker A

when you step back like this. When the opponent gets really close and comes for the ball, just by pulling it back quickly and using your other foot, you can escape dangerous situations. Right?

09:46

Speaker A

way. Push to go, then back here. It’s the same here. Oh, I dodged it. If there's enough space to push forward or if it looks like the defender is rushing in, you just go. If that doesn't work, you can take it the other

10:02

Speaker A

And while many things can come from this, it’s probably going to feel very awkward at first. It’s hard to move it this way and you feel like you're being pushed. So, the easiest thing is a pivot turn, and I think it

10:14

Speaker A

power. So, if you struggle with this last feint, I think practicing it alone like this will help. Imagine there is a defender behind your back. When I teach elementary and middle school players, once they learn the steps and the

10:24

Speaker A

would be good to practice turning all at once. Like this. Also, keep the sole of your foot here; it's not the side the defender is coming from, but the furthest side—not here, not here, but behind here. I'd like you to do it from

10:37

Speaker A

important. So, when you really try to go, your body leans, you strike the ball, and you go like this. With your foot a bit further away, while leaning to strike and go, it’s this motion.

10:47

Speaker A

behind, using your right foot. What I mean is, I take one more step. Because, like this—I'll do it slowly. See. I plant it one more time. Like this, so with this momentum—this momentum I've built—I can push forward. Anyway, we

10:58

Speaker A

standing foot here, boom, plant, boom —it's like that feeling; if you watch the foot right before you take it, you'll be able to tell. Think of Messi or Neymar when the ball rolls out; the defender tries to follow, but they slip

11:12

Speaker A

need to know the purpose of the check-back, which is what we use most often in actual games. The purpose of a check-back isn't just about using a technique; it's to buy time and create an angle. And as for the second

11:25

Speaker A

moves I learned in Brazil are really just a series of tricks to constantly deceive the opponent; Brazil has a culture that finds joy in fooling the opponent, even if it’s not always practical. It’s a culture where the crowd cheers for that. I think it’s

11:36

Speaker A

application, there could be many things, but it's about developing an eye for the opponent, awareness of distance, whether the opponent is in range to poke, and how to react accordingly.

11:50

Speaker A

behind-the-back move is something many people know, but it’s really good to practice. Basically, you keep moving back and forth within this 'L' shape or reversed 'L' shape. It’s like this.

12:09

Speaker A

That needs to be instantaneous, and to develop that, you need an opponent. The reason I set this obstacle up here is that this is also a ball-sense drill.

12:26

Speaker A

earlier. This, moving your standing foot. The most important thing is to lift your head up while simultaneously moving your foot and pulling the ball.

12:33

Speaker A

You can find two important points here. Here’s what I mean, let me show you.

12:42

Speaker A

you a numerical advantage by occupying that space, the opponent will charge at you, and nobody is really in the path where the ball just traveled, right?

12:50

Speaker A

First. Push. Push, avoid the foot, push, and avoid the foot while pressing down on the plant foot. Push it like this—it's like, even if the defender comes, you press and push forward. Let me try again. This is similar to a

13:00

Speaker A

you. Just like this. That way, you can keep your balance and push forward. Now , this one is pretty novel. It’s in the opposite direction, meaning it completely breaks the standard rules and patterns of dribbling. Normally, to put it simply, you knock the ball to

13:19

Speaker A

behind-the-back turn, but the foot can come in deep here. You hide the ball a bit far away from the defender's foot.

13:30

Speaker A

turn the other way, but you do it with the same right foot. I'll show you. If the defender is here, you just slip through the gap like this. This just came out naturally for me. The thing was, I was naturally more confident

13:44

Speaker A

The ball far away. This is also similar, like grazing along the sideline. Let me try again. I pulled it far back. So, my body is here, but the ball is like this. Then, place the plant foot again

13:54

Speaker A

away. Right? But I started incorporating that into a behind-the-back move. The defender comes, and I do this. The ball is now further away. Since the ball has moved away here, the defender will naturally move toward me. Of course, if they back

14:04

Speaker A

and push it slightly. Avoid and push. So pushing forward is really important; once you've learned this ball sense, practice pushing forward continuously later. Recommended. Even if it's not exactly this situation, there are times when you have the ball to your side and

14:07

Speaker A

So let me demonstrate. Like this, pull it in, turn, and since the space is tight, you can turn and go this way too , right? Sometimes the opponent doesn't get shaken off as easily as I'd like, and in my experience, this happens

14:23

Speaker A

the defender is right there. Don't just hit it, but place your plant foot in slightly—you don't need to put it too deep. While putting it in, push forward. This is where it connects. Watch. I avoided it. I can keep my head up and

14:33

Speaker A

a look, okay. So, the moves you can apply from here are You can go into a pivot turn like this. Likewise, you can do a pivot turn here too, to change directions. There would be many ways.

14:53

Speaker A

see everything. If you have this sense, you just push while moving forward. Like this, you have to be able to push forward first to pull off the next feint. So, I think it would be good to practice adding a feint from here.

15:04

Speaker A

this. By calculating the angle where the defender can't reach even if they stretch their leg, and thinking that I need to escape with these touches, it's a technique developed by instinct; anyway, by making these touches, you possess the ball and get the feeling of

15:14

Speaker A

Let's add using your body as well. It's this. I pushed. I pushed. Right? While trying to push, go the other way—this, this, this. Let me try the other side again. I avoided it. While trying to push, like this—simply put, when you

15:25

Speaker A

to the attacking formation, creating a passing lane. You can find another path from there. Anyway, we pursue happy futsal, and if amateurs who enjoy futsal utilize these touches to improve their personal abilities, become more confident in protecting the ball, gain

15:38

Speaker A

push, you place your plant foot behind. Once you get that momentum to move forward, at that timing, you put your strength in and go this way. You turn this way.

15:46

Speaker A

Actually, what’s important is that the goal of changing direction should be to deliver a pass. Or perhaps a shot , it needs to be a breakout that leads to a connection, and you must never just dribble for the sake of dribbling.

15:56

Speaker A

So, situations can arise in an instant where a behind-the-back turn works or it doesn't. You can think of this as a way to protect the ball, recreate passing angles, and buy time to observe your teammates 'movements; and remember

16:08

Speaker A

, the dribbles shown here are definitely not the only ones that exist . The most important thing is to use your own intuition to solve situations with many more movements than just the touches we’ve mentioned. In short, you don't always have to pull the ball

16:21

Speaker A

away from behind; you could try to pull it, see the defender move, and then push it back—everything we haven't mentioned is also a correct answer. In a way, I think it's enough to just understand the important points.

16:29

Speaker A

Keeping the ball away from the defender when you're about to lose it, changing direction to find a passing lane, or maintaining possession to buy time and find a better pass as your teammates move. Connecting these into your play

16:39

Speaker A

is the best approach. If you attempt a phantom dribble and their leg doesn't come out. Here’s a tip on how to get out of that situation. When you pull it but they don't reach out, do this.

16:51

Speaker A

To explain the movement, you can always attempt a phantom dribble. The best case is reacting when the opponent's leg definitely comes out, but that might not happen. So, the important thing then is to use the side of your

17:03

Speaker A

foot. You scrape it with the side of your foot. This is the point. You’ve pulled it. The defender will move to some extent, right? Don't try to kick and go; your body must go first, and the ball should follow late. With a

17:13

Speaker A

feeling like the ball is trailing slightly behind you. And sometimes you have to predict situations where the defender doesn't show a gap, so could you give us some coaching based on what Beom-cheol mentioned earlier? Regarding Beom-cheol's tip, when you go to the

17:28

Speaker A

sideline, defenders often try to predict your move. They often predict you'll go along the outside line or through their legs, so when they don't spread their legs or reach out, you put it inside. Like this.

17:42

Speaker A

Oh, this dribble has a name. It's called the "maca maca," and to be precise, it's what's known as the " cattle herding" dribble. In Brazil, this dribble actually has a name, and it’s what Neymar used to do a lot in

17:53

Speaker A

his youth; when there’s space, you just nudge it like this and run— that's it.

17:57

Speaker A

Ah, right. You just send the ball past the defender and run to the other side. You go around them. Attackers are usually already at some level of speed and need to get around the defender. That's why Brazilian national team players used

18:10

Speaker A

that kind of dribble a lot, but I talked about the phantom for too long.

18:14

Speaker A

I once did a lecture on the various versions of the phantom, but for those who missed it, it's the bait phantom, a fake phantom. What is a bait phantom?

18:20

Speaker A

Well, the defender is probably covering the inside to some extent. But you offer this ball as bait to the defender . I don't know if it'll work against high-level players, because they wait well and don't just lunge their feet

18:30

Speaker A

out all at once. But of course, in futsal, there are many cases where they poke in deeply. The bait phantom is giving a fake and then this. Let me show you the angle and the steps. The angle should be kept close to the

18:44

Speaker A

inside of the foot. And the standing foot should be in front. You know, you see this kind of dribble often, right?

18:48

Speaker A

They do this hopping dribble a lot. And then you slip away like this. So you have to use your standing foot and the ball-handling foot at the same time.

18:56

Speaker A

Like this, a simultaneous jump. You have to offer the ball like this. But move it together with your standing foot. Like this. I personally think the ball should be in front of your standing foot. So the defender sees the

19:08

Speaker A

bait and reacts, and you have to pull it from this point. So when you pull it from this angle, if their leg comes in deep, you might get caught. Therefore, you should be able to do it even at a

19:19

Speaker A

slight backward diagonal angle. One, two, three, like this. One, two, three, like this. Likewise, there's a bit of a hopping step. Hop, left foot hop. Then you pull it like this. So there's a single hop step, and you have to give

19:32

Speaker A

the ball quite provocatively. But sometimes it doesn't come out. I've tried it many times, but when the foot doesn't come out, after one attempt, I look at the situation again to find a passing lane. Coach Beom-chul does this

19:45

Speaker A

long phantom move amazingly well. You run away and then pull it here. I think it's fine to pull it slightly to the outside or inside. Something like this.

19:56

Speaker A

Making them come to you, and then from here. At first, I'm looking this way, but when I pull, I turn toward the direction I'm going to fly off to.

20:03

Speaker A

To gain a bit more speed. Seriously, when Beom-chul just backed off, I immediately thought, "Oh, I have to follow him." Because I felt like if I just stayed still, he'd get past me, so I think he shared a very useful tip.

20:15

Speaker A

It's good to practice this by thinking of moving the ball in a U-shape and stepping slightly backward. Let's try it slowly, stepping back slightly. With this, too, as you move the ball, your body shifts back as well. Like this, in

20:29

Speaker A

this manner. Just like this. So for the footwork, some people struggle with the foot that touches the ball. The foot that touches the ball must land further back first. Before the left foot. If you find it difficult, you might be

20:41

Speaker A

landing your left foot first, messing up the rhythm; just think of it as landing at the same time you touch the ball. It's much easier to think of it that way. Like this. Then the ball is coming toward me. Like this. And you

20:53

Speaker A

put the strength into your left foot. You need the strength to jump backward, so you have to jump back with this.

20:57

Speaker A

Yeah. Like this. So what Bum-cheol coach showed earlier, faking a pass like this, then pulling it back and going out. Right? So you need the power to jump back like this. You need a bit of that strength. Using the left foot

21:11

Speaker A

to pull the ball while your body follows. Now, Coach Bum-cheol's application of what we just did.

21:18

Speaker A

It's a move where you use a drag to make the defender reach, and then once they reach, you phantom to instantly escape. You go, then you move out. With a feel like this. This move definitely puts distance between you. Meaning,

21:35

Speaker A

when you move this way, the defender shifts too. If they don't, you can pass or dribble past them, so move only after the defender reacts to your movement. Okay. Okay, right there. Then here, when you drag during the phantom,

21:49

Speaker A

your body faces forward. But you turn it more. To see a wider angle, when you drag, you only see one side, but by dragging and using a Z-motion, you open your body to secure a better field of vision. In that state, you watch the

22:03

Speaker A

defender more and phantom. When you make that final touch, the defender gets lured in. You can open up your body and draw the defender in; you don't necessarily have to phantom with the sole of your foot every single time

22:14

Speaker A

. Since the order isn't set in stone, the final move could just be going this way and turning around like this instead.

22:21

Speaker A

Up until now, all the dribbles were about going forward, but this is about pulling back when you can't advance.

22:26

Speaker A

Pulling back, okay. Moving, pulling, passing, and shifting. First, you drag and plant your right foot. As you plant it, the ball keeps rolling, which creates a little space behind. You have to account for the time the ball is rolling. You need to

22:44

Speaker A

move in time with the ball's momentum after planting your foot. Pull back, and your right foot needs to jump slightly forward. The timing of planting your foot and the ball's rolling needs to be in sync. You need to know how to wait. If you just know

23:02

Speaker A

what I've talked about, this move becomes possible. Because, simply put, you're receiving a ball that's far away . What many members struggle with is when they do it like this. But if you try to do it with the ball right here,

23:11

Speaker A

it doesn't work well. I've explained this move in too much detail, but is it really necessary? Ultimately, I drag the ball to go out, but sometimes my foot can't reach, or there's no space.

23:22

Speaker A

I'm just pulling it back when I intended to go forward. The situation just didn't allow it. It's just a reset because the situation didn't work out.

23:27

Speaker A

This isn't a technique, it's a reset. A reset. You can think of it as a sort of reset. We've looked at various applied moves that can come from a drag. If someone runs here, I might have to pull

23:47

Speaker A

it back diagonally. Backwards. And then you could turn and escape like this. What goes wrong here is if your body leans too far forward, it's hard to make the next move. Second, sometimes people jump because they feel they need

24:09

Speaker A

to drag the ball. What I mean is, you've caught it. You shouldn't jump with it; rather, your center of gravity should drop. It's the opposite. I always tell people to practice the timing of when the supporting foot lands. When you pull it back like this,

24:26

Speaker A

you need to lower your center and be fully planted. Like this, that's the only way you can turn, shall we try it like before? So, if there's nowhere to pass, turn, oh, a defender is on me.

24:40

Speaker A

It's also important to angle your foot so that it's out of reach of the opponent's leg. Always create the angle based on the direction of your heel.

24:49

Speaker A

When you've caught it like this, it's the direction your heel is pointing. When you've caught it like this, it's the direction your heel is pointing.

24:53

Speaker A

Depending on this heel direction, the angle you can send the ball to changes. Because your knee needs to bend, the angle you can bend it is exactly the direction of your heel. So keep that in mind, and likewise, you can turn it,

25:06

Speaker A

and if there's no pass, take it yourself. This Now, when a defender is tight on you. You've turned, but the defender is right up on you. But the opponent isn't blocking the side, they're blocking the inside more. There

25:23

Speaker A

might be some space right here. So even when you plan to pass, you can end up taking it yourself; this happens a lot in real games. I'd like to give you a tip on pulling it back as well. Rather

25:33

Speaker A

than just pulling it from back to front , I use the propulsion from my left foot to plant and roll it at the same time. If a defender comes in deep with their feet, pulling the ball out this

25:52

Speaker A

way might get it stuck, but if you roll it to pull it out, you avoid their feet and gain an advantage for your next move, allowing you to move out quickly or push forward. To give you an example

26:02

Speaker A

of what that feels like, I’ll show you clearly; I hit the ball, then pulled it in. The defender’s coming, right? If you try to pull it out like this, it gets caught. What I mean by rolling is, you anticipate their leg

26:12

Speaker A

coming in deep and turn accordingly. So , you do it diagonally backward, leading with the inner edge of your foot and letting the sole roll over it, something like this. Like this. Let’s do it properly. You need to position

26:25

Speaker A

your plant foot well. If you pull it straight back, your plant foot can stay still. But when you go diagonally, you have to open up your plant foot. The plant foot.

26:40

Speaker A

The first way is pulling it straight back. Okay. So, for a ball that’s far away like that, rolling it with the sole of your foot is great for seeing the situation. Because your body can follow , the ball stays attached to your foot

26:53

Speaker A

while you move, and if a defender sticks to you, you can change direction from there.

26:59

Speaker A

In futsal, you often use a turning move , and players can usually predict that a defender will close in right after they turn. So, what kind of dribbling comes out here?

27:09

Speaker A

You tried to turn, but the defender got close. That’s when we talk about this part. You were dribbling and pushed the ball forward.

27:17

Speaker A

They followed you. When you turn, you get blocked momentarily. When you try to turn but the defender is attached very closely, you can move out from there, or pass again while dribbling, but instead you have to keep your head up and your body

27:31

Speaker A

open. You could pass and then move out. I’ll break it down step by step for you. Players do this turning move a lot . Like this. Right. As I’ve gained a lot of coaching experience, I’ve realized why it doesn’t work well.

27:56

Speaker A

When you have speed and want to turn, you must put strength into your left foot the moment it lands, so 90%of your power goes into it to stop yourself.

28:06

Speaker A

The other foot is just helping. Even when you’re about to shoot, look at how hard I planted my left foot. 90%of your body weight should be on it to stop everything, but if you don't understand the mechanics of applying

28:17

Speaker A

that force, you end up like this. Or, because you can't put power into it, you catch it, and then put force into it, but the important thing is that you must stop with your left foot first.

28:29

Speaker A

Right here, already with this. You should have already come to a complete stop with just this. I explained that because it seemed more fundamental, and you can think of what Coach Beom-cheol does like this. He pretended to pass

28:44

Speaker A

here, but moved it to the other foot, and just like that, he kept the defender at a distance. When I try to defend against Coach Beom-cheol, the moment the ball goes this way, my body naturally shifts slightly that way. I

28:53

Speaker A

flinch, and since he turns and changes direction right away from there, it’s incredibly difficult to stop. To practice this basic movement, you need to be able to send the ball from here to your other foot. You need to be able

29:02

Speaker A

to send the ball to the other foot and catch it immediately just by changing your ankle angle. For those of you who are having trouble. Instead of trying to send it here and catch it again, or send it there and try to catch it, send

29:13

Speaker A

it right to your foot. Send the ball to your other foot like this, and simply put, just by changing your ankle shape and using the inside of your foot, it comes back to the opposite side quickly . Since it's under your sole, other

29:26

Speaker A

movements will be much more useful and faster. Like this. So, for the basic practice of this movement, try sending the ball to the other foot and catching it like this. Practice sending and catching. Practice sending and catching . Practice sending and catching. After

29:40

Speaker A

sending it to the opposite inside of the foot instead of this side, you can apply it in many ways, like going the other way, doing a Z-dribble, or turning your back to keep the defender away. So what Beom-cheol did seems to

29:59

Speaker A

have been an application on the side. The Marseille turn isn't just for breaking through defenders; it’s for keeping the ball and changing direction , and we can use it to keep defenders away on the side. It’s about where

30:17

Speaker A

you’re going, where the opponent is, and where to send the ball to make it unpredictable and keep it away from them, and there are about two or three more moves like this. What I mean is, let’s not be too rigid. There’s no

30:28

Speaker A

single correct answer. If a defender is here, you could feint to the right and go, but they do it this way a lot too.

30:33

Speaker A

Honestly, seeing them do it in Brazil, I realized that although I learned it this way, they apply it differently. I realized this could be creativity.

30:41

Speaker A

Thinking outside the box—the basic move is to feint right and go left when a defender is there. They, however, are dribbling to the side with a defender here, then feint with their left foot and go through this way. Let me explain

30:49

Speaker A

what that means. You’ll understand if you watch this. We usually shake things up in front of the defender and then go . That is the textbook scissors move.

30:56

Speaker A

But here, if a defender is present, instead of going like that, they use their left foot and then move with their right. So, in short, he used his left foot as a plant foot. To shake up the defense, you have to go in even

31:06

Speaker A

while you're tapping the ball. Right here. What I want to say is, break the mold. Break the mold. What we want to say is, break the mold. There’s one more thing. This move is called an " in-and-out." We usually drag with the

31:20

Speaker A

inside and then flick it with the outside against a defender. But look at how they do it—they stand sideways.

31:25

Speaker A

The defender is coming from the side. They do the in-and-out this way. Towards this side, basically cutting through. To the near side. This also completely breaks the mold. So, an in-and-out isn't just for use in front of you; you can drag the defender in

31:35

Speaker A

from the side and then just slip past with your near foot by dropping your shoulder quickly. Shall we try this with a defender?

31:42

Speaker A

That's it. Here. Hey. Right here. Wow, this is impossible to defend. It all happened so fast, just tap-tap. I really think dribbling is about individual style, and to express that style, you need a stage or an environment where you can try things

31:57

Speaker A

out. In Brazil, that’s street soccer, where creativity and adaptability are born. We hold these event classes like futsal because we hope for more such stages, and sometimes something new is created when kids are genuinely happy in their hearts and minds. If you

32:13

Speaker A

modify things using our videos or movements, couldn't you apply them even more creatively? There are many variations you can come up with, like when a defender is backing off and then gets very close. While you're doing a scissors move, breaking through is an

32:28

Speaker A

option, but pulling it back is also a method. If you're like this, one, two —don't go. Just hold it here. If you cut with the outside in front of the defender, they expect the ball to go past, but the moment you pull it back,

32:53

Speaker A

it goes behind. From the defender's perspective. And then you can take it again or reassess the situation. It’s good to master moves where you can change direction depending on the situation, even if you’re taking a risk. One thing I really want to

33:03

Speaker A

recommend—and I hope even pro players know this tip. Scissors are possible even when you don't have speed. If you stop and the defender is right there, and there's no space to build up speed.

33:16

Speaker A

This will never work. Yes. You can’t gain any speed, and it won't work at all, but this is possible. If you were here. Moving this way, this is possible . Doing it from a standstill without speed really has no merit. In this

33:29

Speaker A

situation, you can't build up speed anyway. But the defender will still be blocking you in front. It's possible to move sideways with a hop and then take off. So, honestly, reading the defender's stance is the most important thing. When a defender is right in

33:40

Speaker A

front of you, you check their stance. If they're positioned like this, even if I'm on my right foot, I switch to my left, and the moment I take off, it's over. I'll strike it. I mean, anyone who has played soccer has learned this,

33:51

Speaker A

but if the defender is standing like this, it's advantageous to knock the ball this way. Since their weight is here, if the opponent is positioned like this, it's hard for them to stop if you knock it that way. Actually,

34:00

Speaker A

just knowing the theory doesn't mean that knocking it that way is always the answer. There could be cover behind the opponent, and that area might be congested. You have to calculate all those things, so I hope aggressive, threatening players who need to change

34:11

Speaker A

the game use this. For attackers, especially in futsal, every position goes all the way to the goal. Once you cross the halfway line and you're in shooting range, if they're blocking like this, first, with inside scissors, I'll just knock it this way in this

34:24

Speaker A

situation. Pulling it and taking off. It's important to watch the defender's distance, but here's a tip to get ahead in an instant. And second, if they have their position set like this, could you block this side a little more? Yes. If

34:43

Speaker A

you're like this, it's disadvantageous for me to go this way, right? I mean, I could knock it, but this could happen.

34:48

Speaker A

Right? So, naturally, no matter how fast you are, it's not easy to beat this person over a distance of 5 to 7 meters. In this case, if it's like this , even if the ball is on your left foot

34:58

Speaker A

, you switch feet. Pull it from here. Switch. You have to pull it here and take off from here. Didn't gain any speed, did you? First, let's assume the defender is in front of you, and move both feet together. Not just moving the

35:19

Speaker A

ball, but moving together. Jump while dragging it this much. Jump while dragging it. Then take off from here again. Okay. That's how you can gain momentum. And while doing it, there are times when you're about to do a'

35:32

Speaker A

hallelujah 'and have to turn back. If it looks like the defender is following , you might have to do a' hallelujah ' and then turn out this way. Second, it seemed like you struggled with switching feet earlier, so since you

35:43

Speaker A

said a step-by-step approach would be better, you could go this way even when the ball is on your right foot, but the key is switching feet. Anyway, if it didn't work, you add a feint, switch your feet, and pull it. Pull it and

35:55

Speaker A

take off here. From here. Okay. Inside scissors, especially inside the box, often don't work in soccer. It would be great if you could just do it and everyone would fall for it. If the front is here and I challenge but it

36:08

Speaker A

doesn't work. You can go like this and pass, or go out with inside scissors again. The scissors dribble is a breakthrough move. But when you attempt a breakthrough and it doesn't work, you need to evade it. You step back and try

36:37

Speaker A

a 1-on-1 again, or create a passing angle to make a pass, or you could do a scissors move again to go out, so I'll show you. You’re dribbling, you do a scissors move, but it doesn’t work.

36:45

Speaker A

Then you kind of evade and move out. Like this, you could make a pass, or something like this. You evade, and then attempt a 1-on-1 again. From here, go with the inside, slow down the tempo , and approach it like you're

36:58

Speaker A

challenging again. Push it, and from here, you move out. Earlier it was to the left, now if you hit to the right, the technique to control the tempo is like a compass turn; you try to hit, but it doesn't work. That’s when you

37:14

Speaker A

move out. You can pull it inside and move out like this, or try a 1-on-1 again. Right? Wow, the move I just did is similar to an inside scissor. The inside scissor is done when standing still, but what I just did is using

37:37

Speaker A

feints while moving, and then you move out from there. The number of feints isn't important; as you feint, you approach the defender, and data starts to build up on what distance is right to pull it back and hit past them.

37:59

Speaker A

Eventually. But even then, if it doesn't work at the last second, you might have to change it. Meaning, you pull it back. Oops. You might have to change it like this. You just know it won't work. The reason these moves are

38:09

Speaker A

advantageous is that I've been coaching for 20 years. While teaching my own know-how and what I saw in Brazil, when I put them in 1-on-1 situations to apply it, 90%of them use feints but often fail to actually beat the

38:19

Speaker A

defender. Especially high school players. Naturally, if you see an opening while doing this, you should pass, so that's not wrong either. But to break through, if we've practiced using the move and then a sudden speed boost, we must hit it at the right time

38:31

Speaker A

before that golden time passes. But that final strike seems difficult. That’s probably because there’s no data. Yes. So when training together, our role is to help them try these things while challenging in 1-on-1 situations with speed. It does take a

38:43

Speaker A

while to get to that point. Still, there have been many situations where they gain successful experience, realize "Oh, this is the timing," and learn from it; anyway, there are so many possibilities that can arise. For the scissors, let's say the defender is

38:53

Speaker A

right in front with their shoulders shaking. As you keep doing the scissors , you evade them. What I mean is, when you get right up to their nose—of course, the defender is stationary right now. They are stationary, but

39:02

Speaker A

even if they move later, you're right in their face. So, it’s like you’re going along and then you dodge out of the way. Instead of going this way, it’s about moving to the side or diagonally back. But this has to happen

39:13

Speaker A

instinctively without you even realizing it. You have to protect the ball, so if you’re here, it’s like you’re escaping. You have to dodge, you have to avoid them. If a defender is here, instead of just pushing past, tap it down from the top. You need to

39:24

Speaker A

be able to do this. Something like this . Again. Like this. After tapping it, you jump and it’s like this. A feeling like this. If the defender is too close, you need to be able to go diagonally back so you feel confident

39:38

Speaker A

dodging to the side. I mean, you have to be able to escape backwards. Once you can do this, you’ll learn how to put power into your left foot. You need to use that left foot to push off and

39:46

Speaker A

get some distance. You have to stop with this foot. So, you’re supposed to stop with this one. That’s why if you plan to move backwards, you can’t do it without this power. Just know that you need to apply power to your

39:54

Speaker A

left foot at the right timing. Oh.

Topics: futsal dribbling ball control inside dribbling Z-move behind-the-back turn crab dribbling futsal skills passing lanes defender evasion futsal training


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